Classical Reviews
The Courtesan’s Gaze, Fieri Consort, Handel House review – historical female composers in contextWednesday, 20 June 2018
From an early age, Barbara Strozzi would have entertained the guests of her father’s Venetian academy with songs, including her own works. A similarly intimate room at London’s Handel House museum provided a suitable setting for Strozzi’s work to be heard alongside the greatest of late Renaissance vocal composers, Claudio Monteverdi. Monteverdi came out ahead, but only by a nose. Read more... |
Bach Weekend, Barbican review - vivid and vibrant celebrationsTuesday, 19 June 2018
John Eliot Gardiner was 75 in April, and to celebrate, the Barbican Centre staged a weekend devoted to his favourite composer. Gardiner himself provided the backbone of the event, three concerts of cantatas with his Monteverdi Choir and English Baroque Soloists, while most of the other events were chamber music recitals. Read more... |
Berlin to Broadway with Kurt Weill, Opera North, City Varieties Music Hall review - life as a cabaretMonday, 18 June 2018
Peer at the small print and it’s clear that Berlin to Broadway with Kurt Weill is actually a spruced-up repackaging of a show originally devised by Gene Lerner and arranger Newton Wayland, about whom Opera North’s programme tells us nothing. Read more... |
theartsdesk at the Leipzig Bach Festival: a cantata blockbusterWednesday, 13 June 2018
If you ever find yourself in Leipzig at a weekend during school term, the Bach motet (and occasionally cantata) performances in the great cantor’s old church, the Thomaskirche, are an absolute must. But if you happened to be in that city this weekend just past, you will have been able to immerse yourself in practically a whole year’s worth of cantatas in the space of a little more than forty-eight hours. Read more... |
Roscoe, BBC Philharmonic, Mena, Bridgewater Hall, Manchester review - a scenic send-offTuesday, 12 June 2018
Juanjo Mena, chief conductor of Manchester's BBC Philharmonic for the past seven years, took his official leave of them with a programme reflecting his great love, the music of his Spanish homeland. Read more... |
RSNO, Oundjian, Usher Hall, Edinburgh review - ending on a high in MahlerMonday, 04 June 2018
Marking his departure as the Royal Scottish National Orchestra's Music Director after six years, Peter Oundjian definitely left on a high, conducting a gripping, visceral performance of Mahler’s last completed symphony. Read more... |
Bavarian State Orchestra, Kirill Petrenko, Barbican review - Mahler's Seventh as dance suiteSaturday, 02 June 2018
Serendipity as well as luxury saw to it that the night after Simon Rattle gave his farewell Festival Hall performance as music director of the Berlin Philharmonic, his imminent successor appeared over at the Barbican with another excellent German orchestra. Read more... |
Gringytė, Williams, CBSO, Gražinytė-Tyla, Symphony Hall, Birmingham review - living in the momentFriday, 01 June 2018
How to judge a genius who died at 25? Gerald Larner, in his programme note for this concert by the City of Birmingham Symphony Orchestra, suggests that Lili Boulanger’s tragically early death was actually central to her achievement. She knew she probably wouldn’t see 30, and directed her energies accordingly. Read more... |
Berlin Philharmonic, Rattle, RFH review - everything but inscapeThursday, 31 May 2018
Questions of interpretation apart, Simon Rattle has yet again proved the great connecter, this time in concerts separated by just over a month. Read more... |
Karen Cargill, Simon Lepper, Wigmore Hall review - opulence within boundsFriday, 25 May 2018
Singing satirist Anna Russell placed the French chanson in her category of songs for singers "with no voice but tremendous artistry". Mezzo Karen Cargill has tremendous artistry but also a very great voice indeed, a mysterious gift which makes her one in a thousand, and also rather good French (put that down to Scotland's "Auld Alliance, perhaps). Read more... |
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