Classical Reviews
Mahler 9, Hallé, Elder, Bridgewater Hall, Manchester review - beginning a celebrationFriday, 22 September 2023
For someone who said when he first took the helm at the Hallé that he “didn’t do much Mahler”, Sir Mark Elder has a pretty good track record. He’s conducted all the symphonies except one over 20 or so years at the Bridgewater Hall, and two of them have been heard under his baton more than once. Read more... |
Frang, Bayerisches Staatsorchester, Jurowski, Barbican review - on the summitTuesday, 19 September 2023
These days British orchestras count themselves lucky if they can see, and plan, five years ahead. In Bavaria they do things rather differently. As the ducal court ensemble, and later the house band of the Munich opera, the Bayerisches Staatsorchester can trace its history back to 1523. Last night the BSO, as part of a six-country tour to mark its 500th anniversary, arrived at the Barbican with the first of two programmes conducted by music director Vladimir Jurowski. Read more... |
Brahms Piano Sonatas, Elisabeth Leonskaja, Wigmore Hall review - when giants meetMonday, 18 September 2023
To master even one of Brahms’s three early sonatas is a colossal task for any pianist. To play them all with towering authority in a single concert takes a phenomenon. Elisabeth Leonskaja seems just that more than ever in her late 70s; not only is there no loss of the epic stops she can pull out in the most tumultuous music, but for all her poise, she’s also still willing to embrace the craziness and iconoclasm of the 20-year-old composer as if the works were written yesterday. Read more... |
Denk, Danish String Quartet, Wigmore Hall review - metaphysical strings, the piano as chameleonSaturday, 16 September 2023
Few pianists manage stylistic perfection in both Mozart and Ligeti, but to Jeremy Denk it seems to come naturally. We should have heard the riveting contrasts in quick first-half succession, but European air traffic control had wasted much of the Danish String Quartet’s day and they hadn't arrived by the start of the concert. So perfect programming went out the window and Ligeti had to stand alone before the interval. Read more... |
Aimard, Concerto Budapest SO, Keller, Cadogan Hall review - lords of the danceSaturday, 16 September 2023
The Zurich International series at Cadogan Hall has turned into a horizon-expanding stage on which to catch those visiting orchestras that don’t always claim top billing in bigger venues. The hall’s welcoming acoustic shows off the sound and style of its guests as the grander barns might never do. Read more... |
Prom 65: Bruckner's Eighth, BBCSO, Bychkov review - a friendly giantTuesday, 05 September 2023
Bruckner's behemoth has always had its fervent champions – and its muttering sceptics. The 85-odd minutes of his Eighth Symphony, finally performed after major revisions in 1892, build into a titanic testament. Advocates read into it enough apocalyptic doom and gloom to make Wagner sound like Offenbach. Read more... |
Prom 60: Gerstein, Berlin RSO, Jurowski review - a master conductor returns with his German bandFriday, 01 September 2023
During his transformational time at the helm of the London Philharmonic Orchestra, Vladimir Jurowski conducted the complete Threepenny Opera in concert and two performances of Rachmaninov’s Third Symphony which changed my mind about its being good only in parts. Last night’s interpretation made his fellow Russian’s late fantasy billow and soar, while Weill’s Little Threepenny Music opened with sheer stylish delight in the song/dance numbers framed by incisive austerity. Read more... |
Isidore Quartet / Mao Fujita, Edinburgh International Festival 2023 - carefree beauty and improvisatory flairTuesday, 29 August 2023
The Edinburgh International Festival’s Queen’s Hall series ended with two very impressive debuts. Thursday morning brought the Isidore Quartet, who winningly, if slightly naively, told us that Edinburgh had a similar energy to their native New York. Read more... |
Prom 55: Thibaudet, Boston Symphony Orchestra, Nelsons review - old-style showmanshipMonday, 28 August 2023
Funfairs and dance music, old world and new, should have guaranteed a corker of a second Prom from the Boston Symphony Orchestra with its chief conductor, Andris Nelsons. Glitter it did; but wit, drive and violence took a back seat to showcase sophistication, at least from where I was sitting in the hall (always a necessary qualification) Read more... |
Prom 53: Davies, The English Concert, Bezuidenhout review - elegance and elan in late-night BachSaturday, 26 August 2023
Few singers can match the exhilarating range of counter-tenor Iestyn Davies’ performances, whether it’s in the free-soaring clarity of his voice in rapid recitative-style passages or the white heat of intensity he brings to sustained notes. Read more... |
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Mahler 9, Hallé, Elder, Bridgewater Hall, Manchester review...
For someone who said when he first took the helm at the Hallé that he “didn’t do much Mahler”, Sir Mark Elder has a pretty good track record. He’s...
Expend4bles review - last ride for the over-the-hill gang?
Thanks to numerous arguments and disagreements over script, casting etc, nine years have elapsed since Expendables 3 hit the multiplexes...
Album: Kylie Minogue – Tension
Two years after the release of her rather flaccid Disco album and five since her somewhat inadvisable foray into country-ish music, 2023...
First Person: 'America's sweetheart organist'...
I have always had a fascination with concert programmes. I did my Doctorate thesis on this subject. I remember vividly as a youngster attending...
R.M.N. review - ethnic cleansing in rural Romania
If you think we’ve got culture wars, then welcome to Transylvania. This rugged...
Lorelle Meets The Obsolete, The Lexington review - forceful...
Can there be too much repetition? Is there a limit to the level of rhythmic insistence which can be tolerated? Judging by the enthused reaction to...
The White Factory, Marylebone Theatre review - what price di...
This powerful play’s immediate backstory, with Moscow sentencing its author to eight years’ jail and its director going into forced exile, is not...
Album: Devendra Banhart - Flying Wig
Had Devendra Banhart been born between 1940 and 1950, he’d likely be a household name. His output– very loosely – sits between Cat Stevens, Syd...
A Year in a Field review - exemplary eco-doc
A shot of a dead field mouse sets the tone for this sobering “slow cinema” documentary, narrator-director Christopher Morris’s response...
Pygmalion, Old Vic review - zappy wit and emotional intellig...
Many of us have perhaps grown too accustomed to the friendly face of My Fair Lady. George Bernard Shaw’s very original play is sharper,...