Classical Features
Interview: Quinteto Astor Piazzolla on playing in London and why Mick Jagger's a fanWednesday, 16 July 2025
“I still can’t believe that some pseudo-critics continue to accuse me of having murdered tango,” Astor Piazzolla once declared. “They have it backward. They should look at me as the saviour of tango. I performed plastic surgery on it.” Read more... |
Alfred Brendel 1931-2025 - a personal tributeFriday, 27 June 2025
Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or so, and I was fortunate to see him just a few days before he died. I visited him for one of our regular film nights – evenings when we’d eat dinner together, prepared by his partner Maria, and then watch a movie. On this occasion we’d decided to take in the recently-made German documentary about Leni Riefenstahl. Read more... |
First Person: young cellist Zlatomir Fung on operatic fantasies old and newTuesday, 06 May 2025
My new album, Fantasies, recorded with pianist Richard Fu, is the culmination of my years-long fascination with the wonderful genre of instrumental opera fantasies. I first fell in love with opera fantasies while attending summer music camps as a teenager. Franz Waxman and Pablo De Sarasate’s fantasies on Bizet’s Carmen were staples of the summer festival repertory of my violin-playing peers, and they were my first exposure to this sub-genre. Read more... |
First Person: St John's College choral conductor Christopher Gray on recording 'Lament & Liberation'Saturday, 19 April 2025
When I arrived at St John’s College, Cambridge, in April 2023, it was a daunting prospect to be taking over the reins of a choir with such a distinguished recording heritage: there have been more than 100 albums since the 1950s on some of the UK’s top labels. Read more... |
First Person: cellist Matthew Barley on composing and recording his 'Light Stories'Tuesday, 24 December 2024
For many thousands of years, humans have turned to art to tell stories about themselves and others because it feels good. It feels good because we sense that it helps us to understand ourselves, and the sharing of these uniquely human stories brings us closer together, and then this bonding, amongst many benefits, increases the safety of our community – humans were quick to realise that we are stronger together. Read more... |
First Person: Alec Frank-Gemmill on reasons for another recording of the Mozart horn concertosWednesday, 13 November 2024
One former teacher of mine said of their recording of the Mozart horn concertos “I’m not really sure why I bothered”. Said recording is excellent, so they were probably just being excessively modest. Nevertheless, every new version of these pieces does beg the question, why do we need another one? Read more... |
'His ideal worlds embraced me with their light and love': violinist Irène Duval on the music of FauréSaturday, 02 November 2024
"I always enjoy seeing sunlight play on the rocks, the water, the trees and plains. What variety of effects, what brilliance and what softness... I wish my music could show as much diversity." Gabriel Fauré, who wrote those words and is indisputably one of the greatest of French composers, died 100 years ago, on 4 November 1924. His avowed aim was to elevate his listeners “as far as possible above what is.” Read more... |
First Person: Bob Riley on Manchester Camerata's championship of a Centre of Excellence for Music and DementiaThursday, 24 October 2024
In May, it was announced that Greater Manchester was to become the UK’s first Centre of Excellence for Music and Dementia, hosted by Manchester Camerata. Read more... |
First Person: conductor Robert Hollingworth on a four-choir rarity by BenevoliFriday, 04 October 2024
I’m sitting in a café in Kraców, Poland, rehearsals finished for the resurrection of a mass setting written nearly 400 years ago in Rome. Read more... |
theartsdesk in Bradford - Leeds International Piano Competition 2024 finalists shine in St George's HallMonday, 23 September 2024
How do you make a two-part final featuring five piano concertos work as a couple of totally satisfying programmes? First, give a wide list of concerto options, ask each pianist for two choices, settle on what will make the best contrasts – and then engage the brilliant Domingo Hindoyan and the Royal Liverpool Philharmonic Orchestra of which he has been chief conductor since 2021 as partners Read more... |
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