mon 20/10/2025

Classical Features

The Night Shift, Orchestra of the Age of Enlightenment, QEH

Jasper Rees

Go on, admit it. You’ve done it too. Someone is talking in your vicinity and you’ve turned round to give them evils. It’s a manoeuvre I’ve been perfecting for years. The classic rebuke is in the speedy twist of the neck, a withering glance in the perpetrator’s general direction (but not, crucially, into their eyeballs: too confrontational) followed by the slow, affronted turn back to face the front. For one night only, the gesture says, you are singlehandedly ruining my life. I didn't pay...

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The Seckerson Tapes: Jamie Bernstein on Leonard Bernstein

Edward Seckerson

theartsdesk.com presents The Seckerson Tapes, a series of live and uncut audio interviews from acclaimed broadcaster Edward Seckerson. We start with Jamie Bernstein - Leonard Bernstein's eldest daughter - who has been in London launching the year-long Bernstein Project at the South Bank. Seckerson, a long-standing Bernstein devotee and disciple, sat down for a frank and open discussion about exactly who her "dad" was.

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I Found My Horn special: The Art of Dennis Brain

Jasper Rees

I Found My Horn is both an autobiography of sorts and a biography of sorts. It tells the story of those phases of my life, as a schoolboy and then again aged 40, when I happened to have a French horn in my hands. But it is also an account of the instrument's long and extremely colourful history. In the 20th century that history is inextricably connected to the name of Dennis Brain, probably the greatest soloist the instrument has ever known.

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Kurt Masur & the Leipzig Gewandhaus

Igor Toronyi-Lalic

There aren’t many composers or musicians who can say that they changed society. And by that I mean really changed it. Few have ever come close to materially or politically transforming their surroundings in any truly meaningful way. There are many who claim they have, or wish they had: Wagner or Beethoven in the 19th century, Barenboim most notably – but doubtfully – in our own. But there is only one musician who actually did: the conductor, Kurt Masur.

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