Classical Features
First Person: composer and Renaissance man Tunde Jegede on transcending genresWednesday, 28 April 2021
In this era when there is so much talk and discussion around crossing musical boundaries, diversity in music and inter-disciplinary work it seems strange that there is still so little knowledge of how, why and when it works. Ironically, much of this type of work and collaborative process is much older than we often think and give credit to. Read more... |
First Person: violinist Abigail Young on getting back to her Japanese orchestra in Covid yearFriday, 26 March 2021
February 2020: an item a long way down the agenda of the nightly news caused me to remark, fairly casually, “I wonder if that will affect me”. I had already heard about Covid-19, the new virus emerging from China; now it was spreading into places where I earned my living. I was beginning to worry. Read more... |
‘The Healing Power of Music’: composer Nigel Hess on great-aunt Myra’s wartime concertsMonday, 01 March 2021
It has been well-documented over the last few months that there has been an upsurge in listener numbers for many radio stations offering classical music – notably BBC Radio 3, Classic FM and Scala Radio – and, during these unprecedented times it comes as no surprise to discover that so many people (of all ages) are finding... Read more... |
Classical musicians on life after Brexit - 3: violinist Sara Deborah Struntz-TimossiThursday, 04 February 2021
Sara Deborah Struntz-Timossi is an international award-winning violinist who has toured with early music ensembles like the European Union Baroque Orchestra, Dunedin Consort and The English Concert, as well as performing across Europe as a soloist and chamber musician. Read more... |
Classical musicians on life after Brexit - 2: violinist Victoria SaylesThursday, 28 January 2021
In March 2020, all my work in Australia and Sweden, where I had won contracts for several months to come, was cancelled on the day I was due to fly. Both organisations who had engaged me promptly honoured their contracts with me financially nevertheless. Read more... |
'The total confusion about post-Brexit rules adds to the distress': classical musicians speak outThursday, 21 January 2021
“Fuck business,” Boris Johnson is alleged to have said while Foreign Secretary. (He didn’t deny it). We have seen enough over the past three weeks of the impact of Brexit on fishermen, hauliers, wine merchants and a host of business people to know that he wasn’t joking. What of the impact on musicians? Read more... |
'Having to establish a real conversation with the audience is a good challenge': Raffaello Morales on a possible musical futureThursday, 31 December 2020
As this most remarkable year prepares to enter the history books, most of us who are part of the music industry have come to realise that the western world is desperately looking for solutions to an emergency of unprecedented dimensions in post-war times, and that music is not widely perceived to provide a Read more... |
Dame Fanny Waterman (1920-2020) - some recollections, with love and affectionTuesday, 22 December 2020
Dame Fanny Waterman was a true force of nature, in the best sense of the word. Her diminutive height belied a giant intellectual force and a steely determination to achieve the seemingly unachievable through every means she could muster. Read more... |
First Person: conductor Johannes Vogel on Beethoven’s Ninth as re-orchestrated by MahlerThursday, 17 December 2020
Think of the finale at a big fireworks show: the anticipation; the build up. There is nothing bigger than the Ninth Symphony. It is the climax of this year’s Beethoven celebrations. Read more... |
Not-quite-solitude on the 34th floor: violinist Maxine Kwok on the short film 'Rising'Thursday, 03 December 2020
2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the foreseeable future. Artists spent months without any form of collaboration, leading to a serious lack of motivation due to the decimation of performance opportunities. Read more... |
Pages
inside classical music
latest in today
Programme notes for Mahler’s monumental symphonies will often...
If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the...
Director Cesar Diaz’s debut feature film was...
Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...
By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...
It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008. She has lived through so many...
Gesualdo was, in the words of New Yorker critic Alex Ross – “irrefutably badass”, a double murderer, sado-masochist and black magic enthusiast who...
The name, Caron and Michelle Maso explained to Los Angeles radio DJ Rodney Bingenheimer, was a literal description. “We’re both like five feet. We...
Planet of the Apes is the most artfully replenished franchise, from the original series’ elegant time-travel loop to the reboot’s rich,...