thu 18/04/2024

Classical Features

'Most significant is the experience of being confronted by different ideas': Steven Osborne on free piano lessons from quarantine

Steven Osborne

How fast the world can change. What seemed unimaginable just weeks ago, the effective shuttering of our societies, is now a reality in many countries for at least weeks and quite possibly several months to come. I hope for the health and security of all of you reading this. I’m not going to reflect on our situation at any length as I’m sure many of you have read far more on the subject than is good for you - I certainly have!

Read more...

Remembering Krzysztof Penderecki (1933-2020)

Gavin Dixon

No composer since Stravinsky has defined his age as comprehensively as Krzysztof Penderecki, who died on Sunday aged 86.

Read more...

Classical Music/Opera direct to home 4 - Rattle in the ether

David Nice

He may no longer be the Berlin Philharmoniker's Chief Conductor, but by a combination of serendipity and foresight on the orchestra's part, Simon Rattle's last concert in Berlin for the foreseeable future was filmed without an audience and led the way for other, smaller-scale ventures before...

Read more...

Notes on a no-show - Nico Muhly

Jenny Gilbert

The following is adapted from a programme note for a show which was to have premiered last Thursday – the very day Sadler's Wells went dark. Nico Muhly – Drawn Lines was part of an occasional series featuring composers who are making an impact on dance.

Read more...

'Pause. Notice. Breathe': Elena Urioste on self-love in a time of coronavirus

Elena Urioste

In my second year as a violin student at the Curtis Institute, my right arm started going numb from my elbow to my fingertips on a fairly regular basis. It was rather like how your limbs feel right before they fall asleep: not full-on pins and needles, but a dull, hot emptiness, like there was no blood to keep that piece of me alive and vibrant.

Read more...

Classical music/Opera direct to home: 2 - Boris Giltburg and Igor Levit

David Nice

Maybe it's not so surprising that the musicians one has long thought of as true Menschen of the profession - that applies to both sexes, of course, and maybe it's just more about the artists in question being natural communicators - have been among the first to rally in the current crisis.

Read more...

Classical music/Opera direct to home: 1 - Budapest's Quarantine Soirées

David Nice

The great Chilean pianist Claudio Arrau noted of 1920s Berlin that "itimes of trouble, people seek a better life in culture". But what if that culture can no longer be accessed live?

Read more...

First Person: Electra Perivolaris on composing for BBC Radio 3's 'Seven Ages of Woman' project

Electra Perivolaris

My brief for this exciting and empowering project was to compose a new choral piece for the BBC Singers, to form one movement of a composite work, bringing together seven female composers spanning the generations of womanhood.

Read more...

Young people's guides to the orchestra: the making of 'Not Now, Bernard & Other Stories'

Bernard Hughes

"Let’s make an album” is an easy thing to say but an infinitely more difficult thing to actually make happen.

Read more...

Bridging the cultural divide: Armenian conductor Sergey Smbatyan on marrying east and west

Sergey Smbatyan

We’re touring across Europe in January 2020, visiting five countries to perform eight concerts with the world-class violinist Maxim Vengerov as our leading soloist. The tour has been organized by the European Foundation for Support of Culture.

Read more...

Pages

latest in today

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...