thu 03/07/2025

Classical Features

'Pause. Notice. Breathe': Elena Urioste on self-love in a time of coronavirus

Elena Urioste

In my second year as a violin student at the Curtis Institute, my right arm started going numb from my elbow to my fingertips on a fairly regular basis. It was rather like how your limbs feel right before they fall asleep: not full-on pins and needles, but a dull, hot emptiness, like there was no blood to keep that piece of me alive and vibrant.

Read more...

Classical music/Opera direct to home: 2 - Boris Giltburg and Igor Levit

David Nice

Maybe it's not so surprising that the musicians one has long thought of as true Menschen of the profession - that applies to both sexes, of course, and maybe it's just more about the artists in question being natural communicators - have been among the first to rally in the current crisis.

Read more...

Classical music/Opera direct to home: 1 - Budapest's Quarantine Soirées

David Nice

The great Chilean pianist Claudio Arrau noted of 1920s Berlin that "itimes of trouble, people seek a better life in culture". But what if that culture can no longer be accessed live?

Read more...

First Person: Electra Perivolaris on composing for BBC Radio 3's 'Seven Ages of Woman' project

Electra Perivolaris

My brief for this exciting and empowering project was to compose a new choral piece for the BBC Singers, to form one movement of a composite work, bringing together seven female composers spanning the generations of womanhood.

Read more...

Young people's guides to the orchestra: the making of 'Not Now, Bernard & Other Stories'

Bernard Hughes

"Let’s make an album” is an easy thing to say but an infinitely more difficult thing to actually make happen.

Read more...

Bridging the cultural divide: Armenian conductor Sergey Smbatyan on marrying east and west

Sergey Smbatyan

We’re touring across Europe in January 2020, visiting five countries to perform eight concerts with the world-class violinist Maxim Vengerov as our leading soloist. The tour has been organized by the European Foundation for Support of Culture.

Read more...

Planting seeds for change: Helen Wallace on a year of seminal events at Kings Place

Helen Wallace

When I mention Nature Unwrapped, a year-long series at Kings Place subtitled "Sounds of Life", the responses are often tinged with cynicism: "Oh, very 2020", "So, what’s the carbon footprint with all those musicians flying in?" There’s an assumption that the series is focused solely on climate change and...

Read more...

theartsdesk in Zurich and Tallinn: celebrating great Estonians

David Nice

Culturally, "the little country that could" - as Estonia's ex-Prime Minister and historian Mart Laar dubbed it - punches well above its weight. While it educates the young with a musical instrument made available to every child, Estonia continues to shine through its musical leaders.

Read more...

theartsdesk Q&A: Conductor Semyon Bychkov in Prague

David Nice

It's a very big deal for musical Prague: Czechia's symphonic epic, the six tone poems that make up Smetana's Má vlast (My Homeland), launches every Prague Spring Festival at the Smetana Hall, but in the Czech Philharmonic's opulent home, the Rudolfinum, the work hasn't appeared in any of its seasons for 49 years.

Read more...

Remembering Mariss Jansons (1943-2019)

David Nice

He was indeed "one of the greats" among conductors, as theartsdesk's Gavin Dixon put it in reviewing Mariss Jansons' January visit to the Barbican, and remains so by virtue of his recordings.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...

Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...