sun 08/12/2019

Jenny Gilbert

Articles By Jenny Gilbert

Svetlana Zakharova, Modanse, London Coliseum review - impeccably chic but soul-less

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Coppélia, Royal Ballet review - a real charmer

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Acosta Danza, Sadler's Wells review - a dose of Cuban sun

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Natalia Osipova: Pure Dance, Sadler's Wells review - a great ballerina branches out, again

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Concerto/Enigma Variations/Raymonda Act III, Royal Ballet review - time to cheer the corps de ballet

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Cross Currents/Monotones II/Everyone Keeps Me, Linbury Theatre review - the Royal Ballet finds the missing link

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Dada Masilo's Giselle, Sadler's Wells review - bold, brutal, unforgiving

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Manon, Royal Opera House review - splendid start to the season

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Redd, Barbican Theatre review - hip hop gets the blues

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Alvin Ailey, Programme C review - black, beautiful, brilliant

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Alvin Ailey American Dance Theatre, Sadler's Wells review - Still more Revelations

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Ballet Flamenco Sara Baras, Sadler's Wells review - storming opening to flamenco festival

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The Mother, QEH review - Natalia goes psycho

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Cinderella, English National Ballet, Royal Albert Hall review - big, bright and bankable

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'I wrote a letter to Björk in Icelandic and it did the trick': Helgi Tomasson on an intervention that saved a ballet

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Four Quartets, Barbican Theatre review - ultimate stage poetry

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