fri 01/12/2023

Rachel Halliburton

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Articles By Rachel Halliburton

Aurora Orchestra, Kings Place review - experimental work in an immersive setting

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Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianist

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Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotions

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Mahler 2, LPO, Gardner, RFH review - an interpretation of superlative resonance and clarity

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Fatma Said, Tim Allhoff, Lafayette Club review - from Fauré to the Middle East and back

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As You Like It, Shakespeare's Globe review - vibrant, ebullient fun in a forest where anything goes

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Prom 64: Les Troyens, Orchestre Révolutionnaire et Romantique, Sousa review - ravishing interpretation of Berlioz's masterpiece

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Prom 53: Davies, The English Concert, Bezuidenhout review - elegance and elan in late-night Bach

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Prom 50: Samson, Academy of Ancient Music review - a gradual build in musical and dramatic intensity

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Prom 14: Lisiecki, BBCSO, Chan - fine textures and subtle delights

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After Byrd, HEXAD Collective, Brunel Tunnel Shaft review - resonant tribute to a subversive genius

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First Night of the Proms, BBCSO, Stasevska review - fire and elan mark an evening celebrating freedom

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Romeo and Juliet, Almeida Theatre review - muscular action interspersed with moments of telling stillness

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Bocheng Wang, Wigmore Hall review - extraordinary agility and technical fluidity

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Don Giovanni, Glyndebourne review - stunning, exuberant production reveals human nature in all its complexity

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Akugbo, Harper, The Jago, Dalston review - revelatory pairing of trumpet and harp

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A Sherlock Carol, Marylebone Theatre review – merry, but mir...

It’s an elementary fact that Dickens sells at this time of year — look at all the perennial Christmas Carols sprouting up everywhere. But...

Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a...

Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of...

Peter Pan Goes Wrong, Lyric Theatre review - adult panto del...

Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...

Queendom review - an LGBTQ+ performance artist takes to the...

It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...