Rachel Halliburton

Articles By Rachel Halliburton

Hespèrion XXI, Savall, QEH review - an evening filled with laughter and light Thursday, 12 June 2025 Read more...	Saul, Glyndebourne review - playful, visually ravishing descent into darkness Tuesday, 10 June 2025 Read more...
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings true Wednesday, 04 June 2025 Read more...	Elephant, Menier Chocolate Factory review - subtle, humorous exploration of racial identity and music Saturday, 31 May 2025 Read more...
The Crucible, Shakespeare's Globe review - stirring account of paranoia and prejudice Thursday, 22 May 2025 Read more...	1536, Almeida Theatre review - fast and furious portrayal of women in Henry VIII's England Thursday, 15 May 2025 Read more...
Romeo and Juliet, Shakespeare's Globe - swagger and vivacity cohabit with death Monday, 05 May 2025 Read more...	La Serenissima, Wigmore Hall review - a convivial guide to 18th century Bologna Wednesday, 30 April 2025 Read more...
The Great Gatsby, London Coliseum review - lavish and lively production fails to capture the novel's tortured soul Saturday, 26 April 2025 Read more...	Tales of Apollo and Hercules, London Handel Festival review - compelling elements, but a failed experiment Monday, 31 March 2025 Read more...
Clueless: The Musical, Trafalgar Studios review - a perfectly manicured update Friday, 14 March 2025 Read more...	Mahan Esfahani, Wigmore Hall review - shimmering poise and radical brilliance Saturday, 01 March 2025 Read more...
The Score, Theatre Royal Haymarket review - curious beast of a play fails to engage Friday, 28 February 2025 Read more...	Argerich, Oxford Philharmonic Orchestra, Papadopoulos, Barbican review - the great pianist as life and soul Tuesday, 25 February 2025 Read more...
Interview: Polar photographer Sebastian Copeland talks about the dramatic changes in the Arctic Tuesday, 25 February 2025 Read more...	Otherland, Almeida Theatre review - a vivid, beautifully written take on the trans experience Friday, 21 February 2025 Read more...

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Music Reissues Weekly: Pilot - The Singles Collection

"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd have the kids who'd...

Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...

Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

Album: The Young Gods - Appear Disappear

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

Jane Austen Wrecked My Life review - persuading us that the...

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Album: Sam Binga - Sam Binga Presents Club Orthodontics

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...