sun 25/09/2022

Rachel Halliburton

Rachel Halliburton's picture

Articles By Rachel Halliburton

The Snail House, Hampstead Theatre - perplexing new drama that lacks bite

Read more...

Prom 61, Cabell, Chineke! Voices and Orchestra, Edusei review - a thrilling, fiercely rational Beethoven 9

Read more...

I, Joan, Shakespeare's Globe review - a non-binary retelling that's as ebullient as it's irreverent

Read more...

The Lion, the Witch and the Wardrobe, Gillian Lynne Theatre review - the puppetry is all part of the magic

Read more...

Prom 9, Finch, BBC National Orchestra of Wales, Matiakh review - thrilling, conceptually fascinating evening

Read more...

Prom 7, Dido and Aeneas, La Nuova Musica review - bold and original from the start

Read more...

Patriots, Almeida Theatre review - a brilliant drama from Peter Morgan about rampant Russian power games

Read more...

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre review - witty, ingenious exploration of gender transition

Read more...

King Lear, Shakespeare's Globe review - eviscerates emotionally while illuminating a society rotten with lies

Read more...

The Wedding, Gecko Theatre, Barbican review - eccentric, ebullient exploration of our contract with society

Read more...

Henry VIII, Shakespeare's Globe review - unashamedly vulgar take on our last split with Europe

Read more...

The House of Shades, Almeida Theatre review - Anne-Marie Duff blazes in Beth Steel's excoriating new drama

Read more...

The Breach, Hampstead Theatre review - profoundly uncomfortable work that burns like ice

Read more...

Much Ado About Nothing, Shakespeare's Globe review – a perfect piece of escapism for our uncertain summer

Read more...

Punchdrunk's The Burnt City, One Cartridge Place review - thrilling, discombobulating vision of an ancient world

Read more...

Scandaltown, Lyric Hammersmith review - Restoration-comedy-style take on 21st Century shamelessness

Read more...

Pages

latest in today

Gurrelieder, LPO, Gardner, RFH review – everything in place,...

Schoenberg’s “Song of the Wood Dove” takes up a mere 11 of the 100 minutes of his epic Gurrelieder, though it’s a crucial narrative of...

Music Reissues Weekly: Bill Nelson's Red Noise - Art /...

The British music weeklies were clear about where the Sound-On-Sound LP and its singles fitted into the current musical topography when...

theartsdesk at Musikfest Berlin - orchestral and choral rain...

In its three weeks of world-class events, Muskfest Berlin has...

Am I Being Unreasonable?, BBC One review - comedy thriller d...

In case you're not au fait with Mumsnet, the title of Daisy May Cooper's follow-up...

The Wonderful World of Dissocia, Theatre Royal Stratford Eas...

Lisa has lost an hour in a (somewhat contrived) temporal glitch. As a consequence, her world is always sliding off-kilter, not quite...

Juniper review - a classic role for Charlotte Rampling

Juniper provides, above all, an absolutely unforgettable role for Charlotte Rampling....

Album: Gabriels - Angels & Queens, Part I

Lauded by Elton John (who called their 2020 debut EP Love and Hate in a Different Time “probably one of the most seminal records I've...

'The first thing I do when I wake up is write.' Hi...

Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book...

theartsdesk Q&A: Abel Selaocoe

South-African cellist Abel Selaocoe is about to begin his third major concert in London in under a year. As the support artist for...