fri 19/04/2024

Rachel Halliburton

Rachel Halliburton's picture

Articles By Rachel Halliburton

Ensemble Augelletti, London Handel Festival, Charterhouse review - dynamic framing of the honorary Englishman

Read more...

Bevan, Williams, BBCSO, MacMillan, Barbican review - inspirational journey from darkness to light

Read more...

Der fliegende Holländer, Royal Opera review - compellingly lucid with an austere visual beauty

Read more...

Bartlett, LPO, Bihlmaier, RFH review - a clear path through the storm

Read more...

Balanas Sisters, Anonimi Orchestra, The Bomb Factory, Marylebone review - talented Latvian conductor heads exciting new ensemble

Read more...

Sakamoto's Kagami, Tin Drum, Roundhouse review - haunting virtual reality performance from late composer

Read more...

Newby, Middleton, Wigmore Hall review - archly subversive interpretation of traditional themes

Read more...

SANSARA, The Waiting Sky: A Christmas Meditation, Kings Place review - a thrillingly mysterious and profound Christmas alternative

Read more...

Aurora Orchestra, Kings Place review - experimental work in an immersive setting

Read more...

Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianist

Read more...

Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotions

Read more...

Mahler 2, LPO, Gardner, RFH review - an interpretation of superlative resonance and clarity

Read more...

Fatma Said, Tim Allhoff, Lafayette Club review - from Fauré to the Middle East and back

Read more...

As You Like It, Shakespeare's Globe review - vibrant, ebullient fun in a forest where anything goes

Read more...

Prom 64: Les Troyens, Orchestre Révolutionnaire et Romantique, Sousa review - ravishing interpretation of Berlioz's masterpiece

Read more...

Prom 53: Davies, The English Concert, Bezuidenhout review - elegance and elan in late-night Bach

Read more...

Pages

latest in today

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...