Rachel Halliburton

Articles By Rachel Halliburton

Bartlett, LPO, Bihlmaier, RFH review - a clear path through the storm Sunday, 28 January 2024 Read more...	Balanas Sisters, Anonimi Orchestra, The Bomb Factory, Marylebone review - talented Latvian conductor heads exciting new ensemble Wednesday, 24 January 2024 Read more...
Sakamoto's Kagami, Tin Drum, Roundhouse review - haunting virtual reality performance from late composer Saturday, 20 January 2024 Read more...	Newby, Middleton, Wigmore Hall review - archly subversive interpretation of traditional themes Friday, 29 December 2023 Read more...
SANSARA, The Waiting Sky: A Christmas Meditation, Kings Place review - a thrillingly mysterious and profound Christmas alternative Thursday, 21 December 2023 Read more...	Aurora Orchestra, Kings Place review - experimental work in an immersive setting Sunday, 26 November 2023 Read more...
Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianist Tuesday, 14 November 2023 Read more...	Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotions Wednesday, 01 November 2023 Read more...
Mahler 2, LPO, Gardner, RFH review - an interpretation of superlative resonance and clarity Monday, 25 September 2023 Read more...	Fatma Said, Tim Allhoff, Lafayette Club review - from Fauré to the Middle East and back Monday, 18 September 2023 Read more...
As You Like It, Shakespeare's Globe review - vibrant, ebullient fun in a forest where anything goes Tuesday, 05 September 2023 Read more...	Prom 64: Les Troyens, Orchestre Révolutionnaire et Romantique, Sousa review - ravishing interpretation of Berlioz's masterpiece Monday, 04 September 2023 Read more...
Prom 53: Davies, The English Concert, Bezuidenhout review - elegance and elan in late-night Bach Saturday, 26 August 2023 Read more...	Prom 50: Samson, Academy of Ancient Music review - a gradual build in musical and dramatic intensity Thursday, 24 August 2023 Read more...
Prom 14: Lisiecki, BBCSO, Chan - fine textures and subtle delights Wednesday, 26 July 2023 Read more...	After Byrd, HEXAD Collective, Brunel Tunnel Shaft review - resonant tribute to a subversive genius Saturday, 22 July 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...
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Oslo Stories Trilogy: Dreams review - love lessons
Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak
The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...
Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...
Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed
Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...
Alison Spittle, Monkey Barrel ★★★
Alison Spittle is fat, she tells us at the top of the show. But not as...