thu 18/04/2024

Rachel Halliburton

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Articles By Rachel Halliburton

The Shark Is Broken, New Ambassadors Theatre review - how Spielberg's first blockbuster almost didn't happen

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Documenting the unimaginable: photographer Sebastião Salgado talks about climate change, dodging caimans and changing perspectives

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Love and Other Acts of Violence, Donmar Warehouse review - snappy and tightly intelligent but flawed

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Metamorphoses, Sam Wanamaker Playhouse review - punchy, cleverly reworked classic

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Indecent, Menier Chocolate Factory review - cabaret-style depiction of a rapidly changing world

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Once Upon A Time In Nazi Occupied Tunisia, Almeida Theatre review - flawed theatre but a great experiment

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Mr and Mrs Nobody, Jermyn Street Theatre review – as comfortable as afternoon tea with jam puffs

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Romeo & Juliet, Shakespeare's Globe review - unsatisfactory mix of clumsy and edgy

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Bach & Sons, Bridge Theatre review - humorous and deeply intelligent

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The Death of a Black Man, Hampstead Theatre review - blistering theatre with an unflinching vision

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A Midsummer Night's Dream, Shakespeare's Globe review - a blast of colour from our post-vaccine future

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Money, Southwark Playhouse online review - ethical dilemmas for the Zoom generation

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Dream, RSC online review - gaming version unleashes revolutionary potential

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The Color Purple - at Home, Curve online review – life-affirming musical retelling of Alice Walker's novel

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All On Her Own, Stream.Theatre online review - a vivid monologue on bereavement

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Nine Lessons and Carols, Almeida Theatre review – spiky portrayal of a world turned upside down

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latest in today

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...