Classical Reviews
Buniatishvili, RPO, Wigglesworth, RFH review – dark drama and controlled powerWednesday, 05 February 2020
Visiting conductor Mark Wigglesworth is a good match for the Royal Philharmonic. The orchestra’s repertoire is usually at the popular end of the spectrum, so they know how to make the most of a good tune. Wigglesworth gives the players the space to phrase and shape the music, but his approach is more about drama and discipline. That’s a great musical virtue, but it’s hardly glamorous. Read more... |
Beethoven Weekender, Barbican review - genius at work and playTuesday, 04 February 2020
Where to begin with the most appropriated musician in history? The Barbican’s Beethoven 250 celebrations got off to an auspicious start with a weekend of events, styled like a pop festival, which nonetheless put the composer back where he belonged – in Vienna, at the turn of the 18th century – and set fire to some tenacious myths. Read more... |
Lu, Orchestre National de Lille, Bloch, Leeds Town Hall - polish and precision in Ravel and DebussyMonday, 03 February 2020
French orchestras haven’t sounded distinctively Gallic for decades; François-Xavier Roth’s brilliant period band Les Siécles does use idiosyncratic French instruments but their polish and sheen is very modern. Still, close your eyes while Alexandre Bloch’s Orchestre National de Lille are playing Ravel and you’re struck by the polish, the elegance of the playing. Read more... |
Denis Kozhukhin, QEH review - lyric mastery and subtle eleganceThursday, 30 January 2020
In Beethoven anniversary year, there will probably be many more "Moonlight"s, meaning the Sonata, than the real thing (though we've been lucky to see the crescent in close conjunction with Venus these past two nights). Not many pianists would dare to place it at the beginning of a programme. Read more... |
Oriole Ensemble, Conway Hall review - sublimely peculiar chamber musicTuesday, 28 January 2020
When I reviewed the Philharmonia’s Weimar season last year I expressed a hope to hear more Hindemith performed in London. When, also last year, I reviewed chamber music at Conway Hall I looked forward to my next visit. So a Conway Hall programme including Hindemith’s Clarinet Quartet was like a magnet. Read more... |
Shostakovich 24 Preludes and Fugues, Igor Levit, Barbican review - an eagle's-eye viewMonday, 27 January 2020
"Citizen. European. Pianist," declares Russian-born, Berlin-based Igor Levit on the front page of his website. One should add, since he wouldn't, Mensch and master of giants. Read more... |
Cargill, BBCSO, Saraste, Barbican review - less is more in ShostakovichSaturday, 25 January 2020
Jukka-Pekka Saraste doesn’t visit London much these days. He was Principal Guest Conductor of the BBC Symphony Orchestra, and there were rumours that he was in line for the top job. Read more... |
Miloš Karadaglić, Birmingham Town Hall review - flashy and fierce, with exquisite detailWednesday, 22 January 2020
Dubbed “classical music’s guitar hero”, the 36-year-old London based Montenegrin guitarist Miloš Karadaglić – more commonly known by just his first name – is back on the international stage. Read more... |
Bach Sunday with the Suzukis, RAM / Appl, AAM, Milton Court review - father, son and Holy GhostTuesday, 21 January 2020
Not long after noon on Sunday, strange bells began ringing. In just 11 bars, Bach summons pairs of flutes, oboes and violas da gamba against pizzicato strings and continuo to tintinnabulate against the alto's recitative lines about a "vibrating clang" to "pierce our marrows and our veins". These hallucinatory sounds and harmonies could have been composed yesterday. Read more... |
Blomfield, Philharmonia, Salonen, RFH review - sounds of a troubled truceTuesday, 21 January 2020
Concert programmes that set out to tell us a story can prove a mixed blessing. Yes, it’s valuable and stimulating to find ideas, and narratives, embodied in the musical flow. But great pieces, well-performed, have a habit of cutting loose from the frame of concepts someone has devised for them. Read more... |
Pages
inside classical music
latest in today
Moyra Davey: Index Cards review – Fragments of an artist
Moyra Davey’s biographical note, included in Fitzcarraldo Editions’ copy of Index Cards, describes “a...
Reissue CDs Weekly: Edikanfo - The Pace Setters
Ghana was visited by two British musicians in the early Eighties. One was Mick Fleetwood, who recorded the Visitor album in Accra during...
Keiichiro Hirano: A Man review - the best kind of thriller
Keiichiro Hirano’s A Man has all the trappings of a ...
DVD: Little Women
For the average female millennial, Greta Gerwig’s Little Women is the perfect film to watch in lockdown. Brought up on Winona Ryder’s Jo...
The Vast of Night review - perfectly paranoid
The Vast of Night’s premise scarcely guarantees originality. Non-...
Dalí Theatre-Museum, Figueres, virtual tour review - tantali...
Salvador Dalí’s house at Portlligat on the Costa Brava is straight out of the pages of a lifestyle magazine, its sunbaked white walls dazzling in...
This House, National Theatre at Home review – timely revival...
There is a line of argument that – unfairly – blames ...
Krabi, 2562 review - a trance-like visitation
Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass...