Classical Reviews
Fröst, BBCSO, Oramo, Barbican review - blood, sweat and sweetnessThursday, 18 October 2018
Single adjectives by way of description always sell masterpieces short, and especially the ambiguous symphonies forged in blood, sweat and tears during the Stalin years. Read more... |
CBSO, Leleux, Birmingham Town Hall review - oboe extraordinaireThursday, 18 October 2018
There’s always a special atmosphere when the City of Birmingham Symphony Orchestra returns to Birmingham Town Hall, and it’s not just because of the building’s Greek Revival beauty: the gilded sunburst on the ceiling, or the towering, intricately painted mass of the organ, topped with its cameo of Queen Victoria. Read more... |
Hallé, Gardner, Bridgewater Hall, Manchester review – drama and humanityMonday, 15 October 2018
Edward Gardner was back amongst friends when he opened the Hallé’s Thursday series concerts. This was the place where he made his mark, as the Manchester orchestra’s first ever assistant conductor (and Youth Orchestra music director), and he’s been a welcome visitor ever since. Read more... |
The Music of Harry Potter, CBSO, Seal, Symphony Hall, Birmingham review - orchestral wizardrySaturday, 13 October 2018
Imagine an orchestral concert made up exclusively of contemporary works by living composers: a programme in which every note was written within the last two decades. Imagine not only that this concert is sufficiently popular to fill a 2,000-seat hall with a noticeably youthful and diverse crowd, but that its format is already being replicated regularly by pretty much every major UK symphony orchestra. Now ask yourself how much critical attention such a concert would receive? Read more... |
Opolais, Leipzig Gewandhaus Orchestra, Nelsons, RFH review - splendid and awful stretchesWednesday, 10 October 2018
Latvia is fighting fit. The recent elections did not see the expected victory for the pro-Kremlin Harmony party; support for the European Union and NATO will be well represented. Read more... |
Hardenberger, Leipzig Gewandhaus Orchestra, Nelsons, RFH review - new songs for an old gloryTuesday, 09 October 2018
During his quarter-century in charge of the Gewandhausorchester in Leipzig, the late Kurt Masur nobly held out a musical hand of friendship and collaboration from the other side of the Iron Curtain. Read more... |
Two-Piano Marathon, Kings Place review - dazzling duos, deep watersMonday, 08 October 2018
You get a lot of notes for your money in a two-piano recital - especially when seven pianists share the honours for two and a half hours' worth of playing time. Well, they did call it a marathon, crowning the London Piano Festival so shiningly planned by Katya Apekisheva and Charles Owen, and the baton passed seamlessly from two pairs of hands to the next. Read more... |
BBC Philharmonic, Wellber, Bridgewater Hall, Manchester review - new conductor’s debutMonday, 08 October 2018
Two days after announcing his appointment as their next chief conductor (he takes the reins officially next summer, in time for the Proms), by remarkable good fortune the Manchester-based BBC Philharmonic was able to present Omer Meir Wellber as the conductor of their second Bridgewater Hall series concert. Read more... |
Anderson & Roe, RLPO, Tali, Philharmonic Hall, Liverpool review - measured fireSaturday, 06 October 2018
There must be something of a beauty parade going on in Liverpool now that Vasily Petrenko has called time on his tenure at Philharmonic Hall. After all, someone will need to step into his shoes from 2021 after he departs for the Royal Philharmonic Orchestra. It was refreshing, therefore, to welcome Anu Tali to conduct the Royal Liverpool Philharmonic, making her debut with the orchestra. Read more... |
Bach: The Well-Tempered Clavier - Book 2, Hewitt, Wigmore Hall review – high drama in 24 short actsFriday, 05 October 2018
Bach specialists like to explain that the second book of preludes and fugues in The Well-Tempered Clavier, composed around 1740 and thus almost two decades after the first, draws on more of the fancy and daring “modern” music of its time than its more traditional predecessor. Yes, but there’s modern and there’s modern. Read more... |
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