alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
The Kemps: All True, BBC Two review - more self-promotion th...
The spoof “rockumentary” always sounds like a great...
Album: Rufus Wainwright - Unfollow the Rules
After Unfollow the Rules: The Paramour Session and the...
Terri White: Coming Undone review - a British journalist unr...
The journalistic addiction-memoir is a crowded genre these days: Details editor Dan Perez chronicles his massive intake of Vicodin and...
Camille Laurens: Little Dancer Aged Fourteen review - the st...
Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and...
Reissue CDs Weekly: Philip Rambow - The Rebel Kind
“Strange Destinies” is the first track. “Take your eyes off me Svengali” is its memorable opening phrase. Conjuring up Van Morrison, Tom Petty,...
Dom Joly / Daniel Sloss, Brent Cross reviews - UK's fir...
It was a weary and frustrated Dom Joly (★★) who left the stage after performing the first drive-in...
Homemade review - laughs, loss and madness in lockdown
If COVID-19 isn’t the only topic being tackled by creative folk at the moment, it certainly feels like it. That’s perfectly understandable, when...
theartsdesk Radio Show 28 - Tony Allen tribute with guest St...
Peter Culshaw’s occasional global radio music...
Dancing at Dusk: A Moment with Pina Bausch’s 'The Rite...
There’s sun and sand, and both are golden – but this is no holiday beach. Distantly, out of focus, you can make out a man with a donkey and cart....
