alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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Testmatch, Orange Tree Theatre review - Raj rage, old and ne...
Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...
I.S.S. review - sci-fi with a sting in the tail
Earthrise, the 1968 Apollo 8 photograph of our small island of a planet, taken from the Moon’s surface, transformed our vision of our...
Album: St Vincent - All Born Screaming
The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the multi...
Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...
With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...
Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...
The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...
That They May Face The Rising Sun review - lyrical adaptatio...
In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...
Album: Pet Shop Boys - Nonetheless
This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...
Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...
Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...