thu 18/09/2025

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

BBC Proms: Le Concert Spirituel, Niquet review - super-sized polyphonic rarities

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Faust, Royal Opera review - pure theatre in this solid revival

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Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall review - Rameau magic outside the opera house

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Attacca Quartet, Kings Place review - bridging the centuries in sound

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The Marriage of Figaro, English National Opera review - long on laughs, short on kerb appeal

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La rondine, LSO, Pappano, Barbican review - sumptuous orchestral playing in an underrated score

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The Sound Voice Project, Linbury Theatre review - an art installation that has strayed into an opera house

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Kanneh-Mason, Sinfonia of London, Wilson, Barbican review - taking the roof off the Barbican

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Frang, LSO, Pappano, Barbican review - a concerto performance to treasure

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La traviata, Royal Opera review - a charismatic soprano in a serviceable revival

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Everest, Barbican review - a powerful operatic debut from Joby Talbot

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Werther, Royal Opera review - Kaufmann off form in this stiff revival

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Rigoletto, Opera Holland Park review - Verdi's Duke gets the Oxbridge treatment

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Il Trionfo del Tempo e del Disinganno, Academy of Ancient Music, Milton Court review - radiant and full of life

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Theodora, Arcangelo, Cohen, Barbican review - gloriously dark and sober

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La bella dormente nel bosco/L'enfant et les sortilèges, Royal College of Music review - pure theatrical magic

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'We are bowled over!' Thank you for your messages... ...
Romans: A Novel, Almeida Theatre review – a uniquely extraor...

OMG! I mean OMG doubled!! This is amazing! Or is it? Can Alice Birch’s Romans: A Novel at the...

Robert Redford (1936-2025)

Somehow both rugged and smooth, embodying American values yet often turning up his collar against them, Robert Redford – who died on 16 September...

Brìghde Chaimbeul, Round Chapel review - enchantment in East...

Hackney’s Round Chapel is an appropriate venue. Scottish...

First Person: Musician ALA.NI on how thoughts of empire and...

I’ve never thought of myself as a political artist. I write...

Robert Redford: remembering All the President’s Men

In the summer of 2005, Robert Redford, who died this week, attended the Karlovy Vary Film Festival in the Czech Republic, to collect a life...

The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Appl, Levickis, Wigmore Hall review - fun to the fore in cab...

Concerts at the Wigmore Hall offer many types of pleasure, but not...

Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...