alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Mark Kermode's Secrets of Cinema, BBC Four review - the...
Mirrors and windows, looking at ourselves or out into the world, reflecting the culture or making it: compare and contrast. This was the...
Wild, Hampstead Theatre online review - timelier than antici...
“The whole world is just tilting at the moment,” we’re told near the end of Wild, the Mike Bartlett play from summer 2016 that is...
Four Kids and It review – a family friendly yarn that needs...
With over one hundred books to her name and several hugely popular TV spin-offs, including the Tracy Beaker adventures, Jacqueline Wilson takes a...
'Most significant is the experience of being confronted...
How fast the world can change. What seemed unimaginable just weeks ago, the effective shuttering of our societies, is now a reality in many...
Oliver Craske: Indian Sun, The Life and Music of Ravi Shanka...
Ravi Shankar was one of the giants of 20th...
Bacurau review – way-out western
After his two mysterious, tightly-coiled and idiosyncratic first features, Neighbouring Sounds and Aquarius, the...
Jazz musicians adapt to the lockdown - 'Welcome to our...
“Jazz people,” one commentator has written this week “are amongst...
The Trip to Greece, Series Finale, Sky 1 review - bitterswee...
Could this mock-mythic journey, emulating the trek homewards to Ithaca of Homer’s hero Odysseus, really be the final series of The Trip ...
Czech Philharmonic Benefit Concert online review – profound...
Less than six months ago Prague’s most prestigious concert hall...