alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Faces Places review - Agnès Varda's enchanted journey
On the eve of her ninth decade, the marvellous ...
James Graham: 'the country of Shakespeare no longer rec...
Thank you. It’s an honour to have been asked to speak here today. Although looking at the h100 List this year, I’ve no idea why I’m presumptuously...
The Outsider, Print Room at the Coronet review - power in re...
As the Syrian conflict enters its final convulsions, renewing memories of how the Sykes-Picot agreement – between an Englishman and a Frenchman –...
Heathers The Musical, Theatre Royal Haymarket review - a sar...
This London premiere of Kevin Murphy and Laurence O’Keefe’s 2010...
CD: Prince - Piano and a Microphone 1983
Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit...
Agnès Varda: 'You think I'm finished?!' - int...
At a time when the issue over the scarcity of opportunities for female...
David Crosby & Friends, Shepherd’s Bush Empire, review -...
“This, quite possibly, could be a really good night,” declared...
Never Here review - conceptual art may damage your health
Beware the hidden powers of the cellphone. When in...
Isouard's Cendrillon, Bampton Classical Opera review -...
Cinderella as opera in French: of late, the palm has always gone...