mon 28/09/2020

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Eugene Onegin, Komische Oper, OperaVision review - sensual and devastating

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Cosi fan tutte, English Touring Opera review - a blissful, uncomplicated delight

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The Taming of the Shrew, Sam Wanamaker Playhouse review - a confused and toothless mess

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prisoner of the state, Barbican review - beauty, but where is the drama?

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Der Freischütz, Barbican review - Gothic chills rooted in flesh and earth

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Zauberland, Linbury Theatre review - an adaptation that adds much and gains nothing

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theartsdesk at Itinéraire Baroque 2019 - a musical journey through the Périgord

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Il Segreto di Susanna/Iolanta, Opera Holland Park review - superb singing, mixed staging

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Trouble in Tahiti/A Dinner Engagement, Royal College of Music review - slick, witty and warm

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A Midsummer Night's Dream, Nevill Holt Opera review - sprinkled with musical fairy-dust

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Un ballo in maschera, Opera Holland Park review - evocative and sensationally sung

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Falstaff, The Grange Festival review - belly laughs and bags of fun

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Agrippina, Barbican review - over-the-top comic brilliance

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Brockes-Passion, AAM, Egarr, Barbican review - fleshly Handel for our earthbound times

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Judith, Royal Festival Hall review - a musical curiosity gets a rare airing

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The Merry Widow, English National Opera review - glitter but no sparkle

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Alongside Basement Jaxx, Groove Armada were one of the last big acts to blossom from the...

Bernard Haitink: The Enigmatic Maestro, BBC Two review - say...

Before his retirement last summer at the age of 90, Bernard Haitink worked magic on the podium, no one is in any doubt about that. Lining up one...

Reissue CDs Weekly: Helen Shapiro - Face The Music The Compl...

What happens when the hits dry up? And what happens a little further down the line, as the years of being on the charts recede into the past? For...

theartsdesk in Hamburg: Ghost Light - a ballet in the time o...

So the Royal Ballet is to make a live comeback, for one night only, on 9 October. Fielding the entire company of 100 dancers, suitably distanced,...

First Person: pianist Danny Driver on teaching online and th...

There’s an old saying that goes: if life deals you lemons, make lemonade. To say that the COVID-19 pandemic is a lemon would be a huge and trivial...