fri 08/12/2023

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Everest, Barbican review - a powerful operatic debut from Joby Talbot

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Werther, Royal Opera review - Kaufmann off form in this stiff revival

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Rigoletto, Opera Holland Park review - Verdi's Duke gets the Oxbridge treatment

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Il Trionfo del Tempo e del Disinganno, Academy of Ancient Music, Milton Court review - radiant and full of life

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Theodora, Arcangelo, Cohen, Barbican review - gloriously dark and sober

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La bella dormente nel bosco/L'enfant et les sortilèges, Royal College of Music review - pure theatrical magic

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The Winter's Tale, Shakespeare's Globe review - clever concept never quite catches fire

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The Rake's Progress, Royal Academy of Music review - Hogarth's Rake enters the digital age

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La rondine, If Opera review - a bold opening gambit from a company changing the business of opera

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Sir John in Love, British Youth Opera review - a delicious end-of-summer treat

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Prom 19, Hallé, Elder review - cinematic drama, and plenty of it

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Mavra/Pierrot Lunaire, Linbury Theatre review - operatic madness tempered with plenty of method

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Opera Triple Bill, Royal Academy Opera review - three centuries of female suffering

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The Comedy of Errors, RSC, Barbican review - Shakespearean Christmas panto

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Die schöne Müllerin and The Alehouse Sessions, Middle Temple Hall review - overflowing musical energy and joy

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The Magic Flute, Royal Opera review - all but a guarantee of a great night out

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Monica review - sombre American drama

There’s a rich seam of folk stories about changelings, infants snatched from home and replaced with a substitute child, to the horror and...

Album: Cher - Christmas

I honestly never thought I'd add a Cher song to my painstakingly curated ...

Natalie Dessay, Philippe Cassard, Milton Court review - flas...

It could have been a winner: a charismatic star soprano of great emotional and interpretative intelligence, a top pianist given a little space to...

Album: Gregory Porter - Christmas Wish

The cat in the hat with the mellifluous voice delivers his Christmas Wish for the festive season, his first Christmas album, and it...

Paul Lewis, Wigmore Hall review - Schubert sonatas revisited...

A decade has passed since Paul Lewis concluded an endeavour of a kind never previously undertaken: to perform, over two and a half years and...

The Homecoming, Young Vic Theatre review - Pinter's dis...

As the audience enters, thick mist envelopes the thrust stage and jazz music fills the...

Blu-ray: Blackhat

The Boxing Day release of Michael Mann’s first feature in eight years, Ferrari, finally follows up Blackhat, a Chris Hemsworth-...

Kin, BBC One review - in Dublin's not-so-fair city

Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’...

Voces8 Foundation Choir and Orchestra, Smith, Voces8 Centre...

There’s a game called Whamageddon, where people see how deep into December they can go without hearing “Last Christmas”. I’m like that, but with...