alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Mary Queen of Scots review - Saoirse Ronan and Margot Robbie...
Very much a woman of today, the Catholic...
Bang on a Can All-Stars, Kings Place review - a kaleidoscope...
Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why...
theartsdesk Q&A: Hedvig Mollestad, Norway's bridge...
Norway’s Hedvig Mollestad Trio reset the dial to what...
CD: The Dandy Warhols - Why You So Crazy
Why You So Crazy is a woozy, disorientating and spaced-out affair with a similar understated production to the Dandy Warhols last album,...
American History's Biggest Fibs with Lucy Worsley, BBC...
The multi-costumed Lucy Worsley is television marmite, loved or loathed...
Murrihy, Britten Sinfonia, Elder, Barbican review – a countr...
As the January chill began to bite around the Barbican, Sir...
Beautiful Boy review - well-acted but a slog
The tortuous road to addiction and back again – or maybe not – makes for a faintly tedious experience in...
The Unreturning, Theatre Royal Stratford East review - hymn...
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first season having begun in September last year, has...
'Bringing things to life is what opera is all about...
I’m here in Leeds at the end of five weeks of quite intense rehearsals for...