alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Krapp's Last Tape, Barbican review - playing with the l...
In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...
Formula E: Driver, Prime Video - inside the world's fir...
The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive...
Do Ho Suh: Walk the House, Tate Modern review - memories are...
A traditional Korean house has appeared at Tate Modern....
Die Walküre, Royal Opera review - total music drama
Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...
Georgia Mancio, Alan Broadbent, Pizza Express Dean Street re...
Does it spark joy? Yes, definitely...and maybe we music critics should ask the Marie Kondo question more often. London-based vocalist/lyricist...
The Extraordinary Miss Flower review - odd mashup of music,...
The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie...
Borrowed Time: Lennon's Last Decade review - how the gr...
Purporting to be a documentary about John Lennon in the 1970s, Borrowed Time is no such thing....
Album: PUP - Who Will Look After The Dogs?
PUP’s Who Will Look After The Dogs? is a raw and emotionally charged album that captures the band’s chaotic spirit while showing clear...
My Master Builder, Wyndham's Theatre review - Ewan McGr...
It's both brave and bracing to welcome new voices to the West End, but sometimes one wonders if such exposure necessarily works to the benefit of...