alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
DVD/Blu-ray: Parasite
So what exactly is all the fuss about? For those of us from a cinema-deprived area, it’s been a long wait for the homevideo release of this much...
First Person: Gabriel Prokofiev on 14 years of his Concerto...
For most people a turntable, or record player is used to play back old vinyls bought from a market or second hand store, or perhaps a carefully...
Philharmonia, Channel 4 review - death on the podium
Great idea to use a symphony orchestra as the basis for a TV drama, because all of human life is there. Not to mention death, since this...
Album: Sonic Boom - All Things Being Equal
Experiencing All Things Being Equal is akin to taking a trip through The Time Tunnel. Although the songs and the recordings on...
Matthew Kneale: Pilgrims review – adventures on the road to...
Some things really never change. After a blatant cheat perpetrated by a well-connected lout, one of the humblest pilgrims in Matthew Kneale’s band...
Moyra Davey: Index Cards review – fragments of the artist
Moyra Davey’s biographical note, included in Fitzcarraldo Editions’ copy of Index Cards, describes “a...
Reissue CDs Weekly: Edikanfo - The Pace Setters
Ghana was visited by two British musicians in the early Eighties. One was Mick Fleetwood, who recorded the Visitor album in Accra during...
Keiichiro Hirano: A Man review - the best kind of thriller
Keiichiro Hirano’s A Man has all the trappings of a ...
Blu-ray/DVD: Little Women
For the average female millennial, Greta Gerwig’s Little Women is the perfect film to watch in lockdown. Brought up on Winona Ryder’...
The Vast of Night review - perfectly paranoid
The Vast of Night’s premise scarcely guarantees originality. Non-...