alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
London Tide, National Theatre review - haunting moody river...
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...
Jonathan Pie, Duke of York's Theatre review - spoof pol...
If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...
Baby Reindeer, Netflix review - a misery memoir disturbingly...
Richard Gadd won an Edinburgh Comedy Award in 2016 with...
Machinal, The Old Vic review - note-perfect pity and terror
Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...
Fantastic Machine review - photography's story from one...
The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...
Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...
If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...
All You Need Is Death review - a future folk horror classic
Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...
Album: Jonny Drop • Andrew Ashong - The Puzzle Dust
As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...
theartsdesk on Vinyl: Record Store Day Special 2024
Record Store Day is tomorrow! At theartsdesk on Vinyl...
If Only I Could Hibernate review - kids in grinding poverty...
Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...