thu 19/07/2018

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

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A Monster Calls, Old Vic - wild, beautiful theatre that begu...

A raw pagan vitality animates this extraordinary story about a teenage boy wrestling with tumultuous emotions in the face of his...

Ariadne auf Naxos, Opera Holland Park - stylish staging, wor...

"When the new god approaches, we surrender, struck dumb". Especially if, for the singer of those words, popular entertainer Zerbinetta, the “new...

theartsdesk on Vinyl 41: Kali Uchis, Orange Goblin, Kirsty M...

Summer’s here and the time is right for dancing in the street. To vinyl. Only theartsdesk on Vinyl doesn’t just cover music for...

CD: Juniore - Magnifique

At 29 minutes, the second album from Paris’s Juniore is...

Who Is America?, Channel 4 review - sudden return of Sacha B...

Cunningly kept under wraps until the last moment, Sacha Baron Coen’s...

Prom 4, Simpson, BBCPO, Mena review - terrific Lindberg, bro...

The fourth Prom of this season featured only two contrasting pieces,...

End of the Pier, Park Theatre review - thought-provoking pla...

Les Dennis was once a marquee name on Saturday night television as host of Family Fortunes, but since giving up the light entertainment...

Proms at...Cadogan Hall 1, Perianes, Calidore String Quartet...

Light-filled Cadogan Hall is hosting the most fascinatingly programmed concerts in a...