mon 18/02/2019

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

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Ek, CBSO, Gražinytė-Tyla, Symphony Hall, Birmingham review -...

British concert audiences now know and love a great Lithuanian, one of the most communicative and individual conductors in the world today (note I...

The Lady from the Sea, Coronet Print Room review - freedom t...

Ellida (Pia Tjelta, pictured top left) has a choice to make. The outcome of this choice will bind her future to her past or her...

CD: Du Blonde - Lung Bread for Daddy

Beth Jeans Horton’s world seems to have been characterised by an over-supply of half-empty, small glasses of late – especially when it comes to...

Baptiste, BBC One review - detective from 'The Missing...

Is there an algorithm for writing this review? There seems to have been one used to create Baptiste, a spin-off from ...

Richard J Evans: Eric Hobsbawm - A Life in History review -...

This is an astonishing book: in its breadth, depth and detail and also in its almost palpable, and sometimes unpalatable, admiration of its...

Tana French: The Wych Elm review - a lucky man and his downf...

A Tana French crime novel is never just a thriller. Probably more acclaimed in the USA than the UK (she gets rave reviews in the New Yorker...

Reissue CDs Weekly: Manchester - A City United In Music

Full marks for shoehorning-in the names of city’s two major football teams into the title of ...

Q&A Special: Actor Bruno Ganz on playing Hitler

There is nothing quite like the Iffland-Ring in this country. The property of the Austrian state, for two centuries it has been awarded to the...