mon 27/05/2019

alexandra coghlan

alexandra.coghlan's picture
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

latest in today

Manic Street Preachers, Usher Hall, Edinburgh review - 20th...

Nothing brings home the difference between sequencing an album and sequencing a live show like going to see a classic...

Our Town, Regent's Park Open Air Theatre review – small...

Our Town was written shortly before World War Two about a small town in America in...

Orchestra dell'Accademia Nazionale di Santa Cecilia, Pa...

As one half of British politics convulsed into a deeper spasm of suicidal fury, it came almost as a relief to hear a great Anglo-Italian conductor...

Mariah Carey, Royal Albert Hall review – fervent worshippers...

The sheer scale of the Mariah Carey phenomenon is truly astounding. Since the release of her first album in 1990, she has now clocked up worldwide...

Grosvenor, Doric Quartet, Milton Court review - cohesion or...

Expectations ran high for this final concert in Benjamin Grosvenor’s Barbican/Milton Court...

The Strokes, All Points East Festival review - let them ente...

Back in 2001, after the release of their debut album This Is It, The Strokes weren’t just the most fashionable band in the world, they...

Haley Fohr: Salomé, Brighton Festival 2019 review – potently...

Haley Fohr’s disquiet at the “wildly outmoded” sexual...

CD: Richard Hawley - Further

Richard Hawley’s eighth solo album, Further is, like so many of his previous discs, a masterclass in good taste and relaxed easy...

Hiromi Kawakami: The Ten Loves of Mr Nishino review - Don Ju...

My first, beguiling taste of Hiromi Kawakami’s fiction came when, in 2014, I and my fellow-judges shortlisted Strange Weather in Tokyo...

Reissue CDs Weekly: Bernard Herrmann

Debates about whether 1964’s Marnie presaged Alfred...