sun 31/05/2020

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

latest in today

Moyra Davey: Index Cards review – Fragments of an artist

Moyra Davey’s biographical note, included in Fitzcarraldo Editions’ copy of Index Cards, describes “a...

Reissue CDs Weekly: Edikanfo - The Pace Setters

Ghana was visited by two British musicians in the early Eighties. One was Mick Fleetwood, who recorded the Visitor album in Accra during...

Keiichiro Hirano: A Man review - the best kind of thriller

Keiichiro Hirano’s A Man has all the trappings of a ...

DVD: Little Women

For the average female millennial, Greta Gerwig’s Little Women is the perfect film to watch in lockdown. Brought up on Winona Ryder’s Jo...

The Vast of Night review - perfectly paranoid

The Vast of Night’s premise scarcely guarantees originality. Non-...

Dalí Theatre-Museum, Figueres, virtual tour review - tantali...

Salvador Dalí’s house at Portlligat on the Costa Brava is straight out of the pages of a lifestyle magazine, its sunbaked white walls dazzling in...

Album: Bab L'Bluz - Nayda

Bab L’Bluz are a Franco-Moroccan band, They’re the latest in a...

This House, National Theatre at Home review – timely revival...

There is a line of argument that – unfairly – blames ...

Krabi, 2562 review - a trance-like visitation

Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass...