alexandra.coghlan

alexandra coghlan

Bio

Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Written On Skin, Melos Sinfonia, LSO St Luke's review - an ambitious musical achievement Sunday, 22 October 2017 Read more...	Hansel and Gretel, Pop-Up Opera review - salty-sweet production takes wry pleasure in classic fairytale Wednesday, 11 October 2017 Read more...
Prom 51 review: Perianes, BBCSO, Oramo - brightly coloured musical postcards Wednesday, 23 August 2017 Read more...	King Lear, Shakespeare's Globe - Nancy Meckler's Globe debut is unusually subdued Thursday, 17 August 2017 Read more...
Prom 33 review: Davidsen, Gerhardt, BBC Philharmonic, Storgårds - Nordic music glowing with colour Friday, 11 August 2017 Read more...	Prom 14 review: BBCSSO, Wilson - illusion after illusion from musical conjurer Wednesday, 26 July 2017 Read more...
Much Ado About Nothing, Shakespeare's Globe review - swaggering Shakespeare with a comic Spanish accent Friday, 21 July 2017 Read more...	Prom 7 review: Weilerstein, BBCSO, Weilerstein - new cello concerto enthrals Thursday, 20 July 2017 Read more...
Queen Anne, Theatre Royal Haymarket review - slow, long and dull Tuesday, 11 July 2017 Read more...	Hamlet, Harold Pinter Theatre review - dislocatingly fresh makeover Saturday, 17 June 2017 Read more...
A Midsummer Night's Dream, Snape Maltings Saturday, 10 June 2017 Read more...	Radamisto, Guildhall School, Milton Court Tuesday, 06 June 2017 Read more...
Twelfth Night, Shakespeare's Globe review - Emma Rice goes out with a bang Thursday, 25 May 2017 Read more...	Ariodante, The English Concert, Bicket, Barbican Wednesday, 17 May 2017 Read more...
Monteverdi Vespers, Vox Luminis, FBC, St John's Smith Square Monday, 15 May 2017 Read more...	Lise Davidsen, James Baillieu, Wigmore Hall Wednesday, 10 May 2017 Read more...

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Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...