sat 12/07/2025

alexandra coghlan

alexandra.coghlan's picture
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Brockes-Passion, AAM, Egarr, Barbican review - fleshly Handel for our earthbound times

Read more...

Judith, Royal Festival Hall review - a musical curiosity gets a rare airing

Read more...

The Merry Widow, English National Opera review - glitter but no sparkle

Read more...

The Monstrous Child, Royal Opera, Linbury Theatre review - fresh operatic mythology for teenagers

Read more...

Akhnaten, English National Opera review - still a mesmerising spectacle

Read more...

Anthropocene, Hackney Empire review - vivid soundscapes but not quite enough thrills

Read more...

War Requiem, English National Opera review - a striking spectacle, but oddly unmoving

Read more...

Simon Boccanegra, Royal Opera review - a timely revival of Verdi's political music-drama

Read more...

The Silver Tassie, BBCSO, Barbican review - a bracing memorial for the WW1 anniversary

Read more...

Romeo and Juliet, Barbican review - plenty of action but not enough words

Read more...

Solomon, Royal Opera review - an awkward compromise of a performance

Read more...

Götterdämmerung, Royal Opera review - a fiery finale to this ambiguous cycle

Read more...

Prom 15, Lewis, BBC Philharmonic, Gernon - a masterful Emperor took the musical laurels

Read more...

The Winter's Tale, Shakespeare's Globe review - a chilly tale for a time of austerity

Read more...

Partenope, Iford Arts review - a midsummer night's dream of a Handel comedy

Read more...

theartsdesk in Paris - following in the footsteps of Gounod

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Album: Wet Leg - moisturizer

War, pestilence, famine, death. I don’t know about you, but I’ve had my fill of them all. So what better time to visit the genuinely sunny uplands...

Nye, National Theatre review - Michael Sheen's full-blo...

The National Health Service was established 77 years ago this month. Resident doctors are about to strike for more pay, long waiting lists for...

Emily Kam Kngwarray, Tate Modern review - glimpses of anothe...

It took until the last room of her exhibition for me to gain any real understanding of the work of...

Album: Tami Neilson - Neon Cowgirl

Tami Neilson’s career is long and storied. The short version is that she began with a 1990s Canadian family band (opening for Kitty Wells, aged 10...

theartsdesk at the Ravenna Festival 2025 - Cervantes, Beetho...

Anyone seeking local genius in an international festival should look no further than the annual Ravenna concerts from Riccardo Muti – Neapolitan...

Girl From The North Country, Old Vic review - Dylan's s...

Well, I wasn’t expecting a Dylanesque take on "Oh, What a Beautiful Mornin'" as an opening number and I was right. But The Zim,...

The Estonian Song and Dance Celebration 2025 review - the ma...

The branch of the fast-food chain Hesburger in downtown Tallinn shopping centre Solaris is busy. Nothing unusual as it’s located by the entrance...

Insomnia, Channel 5 review - a chronicle of deaths foretold

A mixture of legal drama, medical mystery and psychological thriller with creepy supernatural overtones, Insomnia sometimes seems to be...