alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
theartsdesk in Ramallah - the music biz turns its sights on...
Maen, a member of the rap collective Sa’aleek, was working one night in their small makeshift studio in the Qalandia refugee camp near Ramallah....
4.48 Psychosis, Royal Opera, Lyric Hammersmith review - desp...
Depression, with or without psychotic episodes, is a rare subject for drama or music theatre - and with good reason: the sheer unrelenting...
10 Questions for Sharon Smith of Arts Collective Gob Squad
Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in...
Absolute Hell, National Theatre review - high gloss show sav...
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend goes like this: Absolute Hell was...
The Marriage of Figaro, English Touring Opera review - vanil...
The Fates did not want theartsdesk to review English...
CD: Van Morrison and Joey DeFrancesco - You're Driving...
Van Morrison has always been drawn as much to jazz as anything else...
The Prudes, Royal Court review - hilarious but frustrating s...
Playwright Anthony Neilson has always been fascinated...
Strictly Ballroom: The Musical, Piccadilly Theatre review -...
A much tinkered-with show needs to go back to the drawing board, if this latest iteration of Strictly Ballroom: The Musical is any gauge...
The Split, BBC One, review - Abi Morgan’s densely packed div...
A few years ago Abi Morgan was everywhere. For the cinema she scripted Shame, The Iron Lady, The Invisible Woman and...