alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Album: Rats on Rafts - Deep Below
Deep Below’s first track is titled “Hibernation.” “A winter breeze blows through my mind,” intones a colourless, dispirited male voice....
Bring Them Down review - ramming it home in the west of Irel...
“You know what they say: where there’s livestock, there’s dead stock,” says Jack (a brilliant Barry Keoghan). Never a truer word. There’s an awful...
First Person: writer Lauren Mooney on bringing bodies togeth...
It started with a Guardian long-read. I’m ashamed to admit it since so many shows could say the same, but that was the beginning.
It was the...
The Marriage of Figaro, English National Opera review - long...
Who’s in and who’s not – on the secret, the joke, the relationship, the family, the club? That’s the fulcrum of Joe Hill-Gibbins’ ingeniously...
September 5 review - gripping real-life thriller
There’s a common understanding about journalists, especially ones at the top of their game, that they’re flying by the seat of their pants –...
Oedipus, Old Vic review - disappointing leads in a productio...
The opening scene of the Old Vic’s Oedipus is dominated by a giant backdrop of a skull-like face, eyes shut and rock-like. It...
Album: Hifi Sean & David McAlmont - Twilight
It was only six months ago that Hifi Sean and David McAlmont released their Daylight album. A fine disc of summery dance pop that was...
Second Best, Riverside Studios review - Asa Butterfield brin...
Your response to Barney Norris’s one-...
theartsdesk Radio Show 36 - legendary producer Joe Boyd disc...
The latest in Peter Culshaw’s peripatetic radio...