alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Take That, SSE Hydro, Glasgow review - capes and cameos in 3...
This year, says Gary Barlow, marks 30 years since five boys walked into a room in Manchester and auditioned for what...
Climate Change: The Facts, BBC One review - how much reality...
Peer down the glassy dark and you’ll see them. White bubbles trapped in the frozen lake which appear to be rising to the surface. Look through the...
Tommy Tiernan, Shepherd's Bush Empire review - playful...
Tommy Tiernan is something of an institution in his native Ireland, as a...
Loro review – hedonism must have an end
"Them" - the "loro" of the title (with a further play on “l’oro”, gold) - denotes the mostly sleazy opportunists willing to use and be used by "...
CD: Rodrigo y Gabriela - Mettavolution
There aren’t many musicians to catch the ear of a substantial community of music lovers that includes both metalheads and world music fans, as...
Get The Blessing, Hare & Hounds, Birmingham review – Wes...
Get The Blessing are a band whose music never fails to conjure up...
theartsdesk Q&A: Bananarama
Bananarama are one of the most successful girl groups of all time. Consisting of Sara Dallin and Keren Woodward, the band’s third original member...
Sweet Charity, Donmar Warehouse review - Sixties style over...
For her swansong, departing Donmar Artistic...
Dragged Across Concrete review - Mel Gibson's hard-boil...
Mel Gibson’s vile drunken rants a decade ago, his 63 years and the price of both inform his role as...