fri 22/09/2023

Boyd Tonkin

Articles By Boyd Tonkin

Frang, Bayerisches Staatsorchester, Jurowski, Barbican review - on the summit

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Aimard, Concerto Budapest SO, Keller, Cadogan Hall review - lords of the dance

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Prom 65: Bruckner's Eighth, BBCSO, Bychkov review - a friendly giant

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Prom 49: Schumann, Das Paradies und die Peri, LSO, Rattle review - knocking on heaven's door

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Prom 37: Schiff, Budapest Festival Orchestra, Fischer 1 review - landscapes and mindscapes

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Prom 16: Hallé, Elder review - a mighty Russian journey

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Semele, Glyndebourne review - the dark side of desire

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Prom 7: Urioste, BBC National Orchestra of Wales, Otaka review – old friends, new worlds

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L'Orfeo, Longborough Festival Opera review - landmark opera survives rock-star wedding and hospital soap

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Sinfonia of London, Wilson; Kolesnikov/Tsoy; Bozzini Quartet; Phantasm, Aldeburgh Festival review - new sounds for old

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Turangalîla-Symphonie, LSO, Rattle, Barbican review - a farewell night to remember

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Hansel and Gretel, Opera Holland Park review - the Great Grimm Bake-Off

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Bezuidenhout, The English Concert, St Martin-in-the-Fields review - Mozart spring-cleaned

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Budapest Festival Orchestra, Iván Fischer, RFH review - elegy and ecstasy

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Concerto 1700, L’Apothéose, St John's Smith Square review - rare Spanish treasures

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Bell, Dreisig, LPO, Gardner, RFH review - royal rifts, and uplifting Mahler

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latest in today

Mahler 9, Hallé, Elder, Bridgewater Hall, Manchester review...

For someone who said when he first took the helm at the Hallé that he “didn’t do much Mahler”, Sir Mark Elder has a pretty good track record. He’s...

Expend4bles review - last ride for the over-the-hill gang?

Thanks to numerous arguments and disagreements over script, casting etc, nine years have elapsed since Expendables 3 hit the multiplexes...

Album: Kylie Minogue – Tension

Two years after the release of her rather flaccid Disco album and five since her somewhat inadvisable foray into country-ish music, 2023...

First Person: 'America's sweetheart organist'...

I have always had a fascination with concert programmes. I did my Doctorate thesis on this subject. I remember vividly as a youngster attending...

R.M.N. review - ethnic cleansing in rural Romania

If you think we’ve got culture wars, then welcome to Transylvania. This rugged...

Lorelle Meets The Obsolete, The Lexington review - forceful...

Can there be too much repetition? Is there a limit to the level of rhythmic insistence which can be tolerated? Judging by the enthused reaction to...

The White Factory, Marylebone Theatre review - what price di...

This powerful play’s immediate backstory, with Moscow sentencing its author to eight years’ jail and its director going into forced exile, is not...

Album: Devendra Banhart - Flying Wig

Had Devendra Banhart been born between 1940 and 1950, he’d likely be a household name. His output– very loosely – sits between Cat Stevens, Syd...

A Year in a Field review - exemplary eco-doc

A shot of a dead field mouse sets the tone for this sobering “slow cinema” documentary, narrator-director Christopher Morris’s response...

Pygmalion, Old Vic review - zappy wit and emotional intellig...

Many of us have perhaps grown too accustomed to the friendly face of My Fair Lady. George Bernard Shaw’s very original play is sharper,...