fri 20/06/2025

Boyd Tonkin

Articles By Boyd Tonkin

Anna Neima: The Utopians review – after horror, six quests for the good life

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La traviata, Opera Holland Park review – a revival in rude health

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Sam Riviere: Dead Souls review – whip-smart literary satire with a techno tinge

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Connolly, Middleton, Leeds Lieder online review - epic voyage on a luxury vessel

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Isserlis, LPO, Elder, Southbank Centre online review – songs of life and death

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Messiah highlights, English National Opera, BBC Two review – short-cut sorrow and redemption

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Alan Warner: Kitchenly 434 review – dreams and delusions in the backwaters of fame

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Frances Larson: Undreamed Shores review - journeys without maps

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Karla Suárez: Havana Year Zero review - maths, phones and mysteries in down-at-heel Cuba

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Coote, Blackshaw, Fiennes, Wigmore Hall online review – lonely hearts club band

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Francis Spufford: Light Perpetual review - time regained

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Holy Sonnets/The Heart's Assurance/A Charm of Lullabies, English Touring Opera online review - darkest hours

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George Saunders: A Swim in a Pond in the Rain review – Russian lessons in literature and life

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Bevan, LPO, Jurowski, RFH online review – never-ending stories

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Stile Antico, The Cardinall's Musick, Wigmore Hall online review – lightening our darkness

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Iestyn Davies, Arcangelo, Wigmore Hall review - heavenly Handel as the lights dim again

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Monteverdi Choir, English Baroque Soloists, Suzuki, St-Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

4.48 Psychosis, Royal Court review – powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...

The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...