Classical Reviews
Prom 23, Grosvenor, LPO, Gardner review - strange meetingsWednesday, 07 August 2024
Not everyone knew what to expect from this fascinating programme. Rachmaninov’s Symphonic Dances, last of his orchestral masterpieces, is nothing like the more familiar aspects of his piano concertos. Nor is Busoni’s nominal attempt at the form, which seems more of a Symphony-Concerto than anything else, and style-wise impossible to pin down. Both works had the fullest care and focus last night. Read more...
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theartsdesk at the Haapsalu Early Music Festival 2024 - other-worldly instruments, perfect programmes and haunting venuesTuesday, 06 August 2024
The buildings, 13th-16th century, are earlier than the music (mostly Baroque). And what buildings. Non-Estonians like myself had heard that Haapsalu was a fine seaside town; but tourist publicity neglected the glory of the castle and cathedral, a central festival venue. If Livonians, Germans, Swedes and Russians all passed through, enriching and destroying, this most perfect of small festivals now welcomes international musicians to perform alongside world-class Estonians. Read more... |
Prom 21, Osborne, Sinfonia of London, Wilson review - a spectacular drive across AmericaMonday, 05 August 2024
Does John Wilson ever stumble? Read more... |
La Pasión según San Marcos / Carmen, Opéra Comique, Edinburgh International Festival 2024 review - united in story and songMonday, 05 August 2024
Trouble. Overly honest. Too opinionated. Ultimately get killed for refusing to let go of their principles and kowtowing to the status quo. Read more... |
Prom 19, Rummukainen, Dandy, BBCSO, Oramo review - inward reflections and choral transcendenceSunday, 04 August 2024
How do you get five thousand plus people into the Albert Hall to hear two Sanskrit-based rarities by British-born composers? Simple: place the Elgar Cello Concerto in between them. Here was another daring Prom programme that totally worked, not least since cellist Senja Rummukainen, compatriot of the BBC Symphony Orchestra much-loved Finnish chief conductor Sakari Oramo, proved as sensitive as him and his players to the elusive core of what's surprisingly become a popular classic. Read more... |
Prom 17, Kozhukhin, RPO, Petrenko review - four tripartite masterpiecesFriday, 02 August 2024
Under its master music director, the once-torpid Royal Philharmonic Orchestra has given us some of the most brilliant concerts of the 2023-4 season. Their Prom together changed course from the Elgar/Rachmaninov theme and dared even more, placing together four works in three parts each – two with atmospheric outer sections flanking vivid ceremonials (Ives, Debussy), two placing the lyricism at the dead centre (Ravel, Tchaikovsky). Read more... |
Prom 10, Van der Heijden, BBCSSO, Ryan Wigglesworth review - an engaging and esoteric delightSaturday, 27 July 2024
What is Englishness? Over the last century the answer has changed substantially. Yet last night’s Prom, which – according to the programme – set itself the task of celebrating “all things English” had a very particular answer. Read more... |
Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - running the emotional gamutWednesday, 24 July 2024
Returning after ten months to the unique vasts of Albert’s colosseum, especially for a Verdi Requiem as powerful as this and a packed hall, felt like a rebirth. There was immediate purging in the focused whispers of the first “Requiem aeternam”s, BBC National Orchestra of Wales Principal Conductor Ryan Bancroft instilling a confidence you knew would last the evening, and instant thrills in the clarion “Kyrie”s of all four world-class soloists. Read more... |
Prom 5, BBC National Orchestra of Wales, Bancroft review - a luxury orchestral cruiseTuesday, 23 July 2024
This looked like a classic Prom in the grand old BBC tradition: two big but lesser-known pieces by pivotal figures (Schoenberg and Zemlinsky) played by a major non-metropolitan ensemble, the BBC National Orchestra of Wales. And so it proved, with powerful, refined and meatily satisfying versions of Arnold Schoenberg’s Pelleas and Melisande and Alexander von Zemlinsky’s The Mermaid conducted by the NOW’s chief, Ryan Bancroft. Read more... |
First Night of the Proms, BBCSO, Chan review - from the sublime to the mischievously meticulousSaturday, 20 July 2024
The first night of the BBC’s 2024 Proms season was illuminated by the blazing brilliance of Isata Kanneh-Mason’s performance of Clara Schumann’s Piano Concerto and the world premiere of Ben Nobuto’s witty video-game-inspired Hallelujah Sim. Hong Kong born conductor Elim Chan presided over a vibrant, joyful evening in which apparent crowd-pleasers like Beethoven’s Fifth Symphony were balanced by pieces that ranged from the sublime to the mischievously meticulous. Read more... |
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