Kimon Daltas
Articles By Kimon Daltas
latest in today
Kanga, Manchester Collective, Singh, RNCM Manchester review...
Of all the inventive and enterprising things Manchester Collective do, it’s most often been the playing of a string ensemble led from first desk...
theartsdesk Q&A: Alice Lowe on 'Timestalker' a...
Before Alice Lowe wrote her first short film scripts, she was, despite success in television and theater, “terrified” of making a full-length...
The Lehman Trilogy, Gillian Lynne Theatre review - three bro...
Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in...
Filumena, Theatre Royal Windsor review - Mozartian marriage...
Of all the ingenues in all the world of golden TV sitcom, Felicity Kendal was the most innocent, the most wicked, the most deceptive, with an...
Album: Immanuel Wilkins - Blues Blood
Immanuel Wilkins’s third Blue Note Album – Blues Blood – has a big concept behind it. According...
Brace Brace, Royal Court review - too slender to satisfy
Air travel is bad for us. Yes, yes, I know we need planes to take us long distances, but look at the downside: not only the carbon footprint, but...
First Person: Tim Etchells on 40 years of making a noise wit...
Forced Entertainment is a theatre company based in Sheffield, touring original performances around the world. The core group of 6 artists has been...
Lygia Clark: The I and the You, Sonia Boyce: An Awkward Rela...
Brazilian artist Lygia Clark is best known for taking her...
Gigi and Dar, Arcola Theatre review - a war-game of two halv...
The writer-director Josh Azouz and actor-director Kathryn Hunter have collaborated on a piece exploring the ethics of being an army of...
Portraits of Dangerous Women review - quirky indie comedy
“I like laws and rules,” Steph (Jeany Spark), a jaded primary school teacher, tells a pet-shop employee – she’s adopting a cat, though...