Classical Reviews
BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons review - grace, then grandeurWednesday, 27 August 2025
Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the Gewandhausorchester Leipzig made quite a sight at the Proms as they collectively surged through key passages of Dvořák and Sibelius as if staging a succession of seated Mexican waves. Read more... |
BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä review - confirming a phenomenonTuesday, 26 August 2025
How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-spectrum gold, but its chief conductor, Santtu Matias Rouvali, could do with more humanity. My colleague Rachel Halliburton found his fellow Finn Klaus Mäkelä challenging in Mahler’s Fifth on Saturday night, but on Sunday afternoon neither he nor his fellow musicians put a foot wrong; indeed, feet hardly seemed to touch the ground. Read more... |
BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - defiantly introverted Mahler 5 gives food for thoughtSunday, 24 August 2025
Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as intricate as it was quietly luminous. Famously Mahler almost died from an intestinal haemorrhage in the year that he started composing the work, and the Royal Concertgebouw Orchestra’s sensitive, nuanced performance conveyed his heightened awareness of a world that could suddenly disappear without warning. Read more... |
Dunedin Consort, Butt / D’Angelo, Muñoz, Edinburgh International Festival 2025 review - tedious Handel, directionless song recitalSaturday, 23 August 2025
Handel probably wrote his cantata Clori, Tirsi e Fileno in 1707 while he was in the service of the Marquis of Ruspoli in Rome. It tells the story of the shepherdess, Clori, who has two lovers that she plays off against one another to no great effect, everything culminating in an ending that’s suspiciously neat even by Handel’s standards. Read more... |
BBC Proms: Liu, Philharmonia, Rouvali review - fine-tuned Tchaikovsky epicThursday, 21 August 2025
Pianist Bruce Liu wasn’t the only star soloist last night, though he certainly had the most notes to play. Attention was riveted by at least five Philharmonia members and their maverick principal conductor Santtu-Matias Rouvali as percussionist in a joyful Prom. Read more... |
BBC Proms: Suor Angelica, LSO, Pappano review - earthly passion, heavenly griefWednesday, 20 August 2025
At first, I had my doubts about Puccini’s Suor Angelica in this concert performance at the Proms with Sir Antonio Pappano and his London Symphony Orchestra. Read more... |
BBC Proms: A Mass of Life, BBCSO, Elder review - a subtle guide to Delius's Nietzschean masterpieceTuesday, 19 August 2025
For Delius – then a young man, visiting Norway in the late 1880s to walk in its mountains – his first encounter with Nietzsche’s Thus Spake Zarathustra was nothing less than an epiphany. Already high on the grandeur of nature in a country defined by its shimmering fjords and austere mountains, he found the text to be an intoxicating affirmation of the glories of the world in a humanistic universe. Read more... |
BBC Proms: Le Concert Spirituel, Niquet review - super-sized polyphonic raritiesMonday, 18 August 2025
There’s a Proms paradox that’s familiar to Early Music fans. Some works are too challenging – too big, too expensive, too uncommercial, too obscure – to do anywhere else. The trouble is, the Royal Albert Hall is the absolute last place you’d want to hear them. Read more... |
Frang, Romaniw, Liverman, LSO, Pappano, Edinburgh International Festival 2025 review - sunlight, salt spray, Sea SymphonySaturday, 16 August 2025
Right from the bracing brass fanfare that began this Sea Symphony, you know exactly where you were: right in the midst of the deck, with the spray in your face and the wind in your hair. Read more... |
Elschenbroich, Grynyuk / Fibonacci Quartet, Edinburgh International Festival 2025 review - mahogany Brahms and explosive JanáčekWednesday, 13 August 2025
Leonard Elschenbroich and Alexei Grynyuk crafted a fine programme for their EIF recital, centring around Brahms’ relationship with the Schumanns. He famously met them in 1853, when Robert Schumann declared him the next great thing in German music. The following year, however, Robert attempted suicide, launching a decline that lasted until his death. Brahms stayed close to Clara until her death in 1896, in response to which he wrote the Vier ernste Gesänge. Read more... |
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