thu 28/08/2025

Classical Reviews

El Niño, London Philharmonic Orchestra and Choir, Jurowski, Royal Festival Hall

David Nice

John Adams’ millennial conflagration of musical poems about childbirth, destruction and the divine made manifest not only served as a seasonal farewell and a transcendent epilogue to the Southbank’s year of 20th-century music The Rest is Noise; it also stood pure and proud as a masterpiece.

Read more...

Classical CDs Weekly: Bach, Berlioz, Ensemble Galilei

graham Rickson

 

Read more...

The Orgelbüchlein Project, Chapel Royal of St Peter ad Vincula

David Nice

It was a bright idea which, thanks to careful programming, has delivered – among other special events – two rich concerts in the Tower of London’s unexpectedly welcoming Tudor church, courtesy of the enterprising Spitalfields Music Winter Festival. Bach left behind an exquisite volume, the “Little Organ Book”, designed to contain 164 chorale preludes.

Read more...

Stott, Orchestra of Opera North, Farnes, Leeds Town Hall

graham Rickson

When you're young, you think that liking Elgar is a habit you'll grow into later in life, like buying a set of golf clubs or following The Archers in detail. As I shuffle into middle age, I find that I'm beginning to love this music more and more. I've given up making excuses to younger, hipper friends.

Read more...

Currie, BBC Philharmonic, Mena, Bridgewater Hall, Manchester

philip Radcliffe

It was ironic, yet seasonal, that the BBC Philharmonic’s conductor-composer H K Gruber, who is said to be a descendant of the man who wrote “Silent Night” (Franz Xaver Gruber), should take centre stage with a rip-roaring, roof-raising percussion work that guaranteed exactly the opposite effect. At the same time Chief Conductor Juanjo Mena went back to his roots to bring us a riot of dance music – flamenco, waltz, Latin American, Malambo, Charleston and even a cowboy ballet.

Read more...

Classical CDs Weekly: Britten, Hindemith, The Quadriga Consort

graham Rickson

 

Britten: Saint Nicolas, Hymn to St Cecilia, Rejoice in the Lamb Andrew Kennedy (tenor), Choir of Kings College Cambridge, Britten Sinfonia/Stephen Cleobury (Kings College)

Read more...

Pavel Haas Quartet, Trifonov, Wigmore Hall

David Nice

There are probably more fine string quartets in the world than audiences to listen to them, or so a gloomy estimate from a major chamber music festival would have us believe. Fortunately the Wigmore Hall usually guarantees crowds to hear the best, and at the highest level too we’re spoilt for choice.

Read more...

theartsdesk at the Huddersfield Contemporary Music Festival

Igor Toronyi-Lalic

If Pizza Huts could speak, the Huddersfield branch would have quite some tale to tell. It was here in the late 1980s, over a deep pan, that one of 20th century music’s great feuds was put to bed, John Cage patching things up with Pierre Boulez, in the presence of Olivier Messiaen. Art has Venice. Film has Cannes. New music has Huddersfield. And every sticky floor of the town’s many restaurants has become hallowed ground.

Read more...

György and Márta Kurtág, Queen Elizabeth Hall

Igor Toronyi-Lalic

There was a strange moment at the end of yesterday's recital when, having exhausted their repertoire, octogenarians György and Márta Kurtág began to look around anxiously, wondering what more they could offer us. They eyed each other, then us, arms outstretched, shoulders shrugging guiltily, like they’d been caught with an empty fridge. Another standing ovation and I felt they might have returned with a plate of fig rolls.

Read more...

Britten 100: An Aldeburgh Centenary Diary

Humphrey Burton

The most intensive period of music-making I’ll ever experience, celebrating the 100th birthday of Benjamin Britten in and around his home town, ended on Sunday. I’m an Aldeburgh resident and I attended everything on offer. I thought the best way to provide an overview was to compile a diary of the past four days with a line or two about each event. 

Thursday  21 November (eve of the birthday) 

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
King & Conqueror, BBC One review - not many kicks in 106...

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...

Juniper Blood, Donmar Warehouse review - where ideas and ide...

Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic...

Album: The Hives - The Hives Forever, Forever The Hives

The Hives must be one of the most self-assured bands around – but not without good reason. Ever exuberant, all their tunes are short and sweet,...

BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...