Classical Reviews
L'Arpeggiata, Wigmore HallFriday, 11 October 2013
L’Arpeggiata are everything that crossover should be and everything that this arranged marriage of genres so often isn’t. The work of lutenist Christina Pluhar and her band of period musicians is organic and authentic, a blend of musics that amplify and enrich one another, a conversation between friends and equals. Read more...
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Stockhausen/Nono, Royal Festival HallMonday, 07 October 2013
There’s been a lot of backslapping over the success (so far) of The Rest is Noise festival, the Southbank’s year-long trawl through the music of the 20th century. They’re particularly pleased about the numbers of ignorant musical souls they’ve managed to convert over the past half a year. Read more... |
Hallé, Elder, Bridgewater Hall, ManchesterFriday, 04 October 2013
A “world premiere” of music written by Benjamin Britten just over 70 years ago? Whence this treasure trove of long-lost musical gold? Well, under the title of An American in England, in 1942 Britten wrote the score for a BBC/CBS co-produced series of six radio drama documentaries for transatlantic transmission to make Americans appreciate this country’s war effort. It was jointly commissioned by the War Office and performed by a 62-piece RAF band in full dress uniform. Read more... |
Mørk, Padmore, LPO, Jurowski, Royal Festival HallThursday, 03 October 2013
Interviewed live just before his Proms performance of Britten’s Serenade, Ben Johnson was asked the usual question as to whether the composer wrote especially well for the tenor voice. “He writes amazingly for every instrument,” came the reply. If we needed a single-programme testament to that special genius, this all-Britten celebration from Vladimir Jurowski and his London Philharmonic Orchestra was it. Read more... |
Pires, Orchestra Mozart, Haitink, Royal Festival HallWednesday, 02 October 2013
Calixto Bieito’s fantasia on Fidelio may be lording it on the other side of the Thames but Orchestra Mozart, on its first-ever visit to London, was happy to place its trust in what Beethoven actually wrote. Read more... |
Royal Northern Sinfonia, Zehetmair, The Sage GatesheadMonday, 30 September 2013
It’s the Royal Northern Sinfonia now, the Queen having bestowed the prefix earlier this year. Programming two Requiem settings in the opening concert of their 2013-14 season seemed on paper a little strange, but the main work was Brahms’s A German Requiem, one of the more upbeat, if unconventional works to bear the title. Read more... |
Hough, BBC Philharmonic, Mena, Bridgewater Hall, ManchesterSunday, 29 September 2013
They did it, and continue to do it, their way. Under the self-confident title of The Mancunian Way, the BBC Philharmonic’s new season aims to celebrate the story of music-making in the city through works, composers and performers with special links to Manchester. There is much to celebrate, not least nowadays the spirit of collaboration between the musical strongholds in the city, where it is entirely possible to carve out a total career from childhood to professional fulfilment. Read more... |
Classical CDs Weekly: Elgar, Prokofiev, Deutsche MotetteSaturday, 28 September 2013
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Milton Court Opening, GSMDFriday, 27 September 2013
Night life in the Square Mile, at least from the perspective of my evening routes around the Barbican, is dominated by booze and sportiness. The way to last Thursday’s concert was blocked by a Bloomberg relay marathon, and cycling through the tunnel towards Milton Court yesterday evening, I encountered the bizarre spectacle of carnival-style trucks pedalled by a dozen drinkers apiece, sitting at a central "bar" and already well oiled. Read more... |
Philharmonia Orchestra, Salonen, Royal Festival HallFriday, 27 September 2013
“Lighting design”. Are there two more terrifying words to find in a concert booklet? Since I last went to a normal concert, it seems that the lunacy that is the tradition of bathing audience and stage in as much light as possible as if we were some kind of site of forensic investigation or a harvest of hash has been replaced - at least for symphonic dramas like Berlioz’s Romeo et Juliette - by its twin pole of idiocy: lighting design (capital L, capital D). Read more... |
Elgar: Enigma Variations, Rehearsal documentary BBC Symphony Orchestra/Leonard Bernstein (ICA Classics DVD)Pages
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