Classical Reviews
Prom 35: Mahler's 'Resurrection' Symphony, Jansons/Prom 36: Bach Oratorios, GardinerSaturday, 10 August 2013
Mahler, who like most of us thought Bach was “the greatest of them all” and studied in depth the edition of his complete works, would have been delighted by last night’s extravaganza – a true celebration of what makes the Proms the much quoted “biggest music festival in the world”. Only two Bach oratorios – cantatas in all but name – could possibly follow, after a sizeable break for supper, the Mahler symphony, his Second, which ends in such a blazing resurrection. Read more...
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Prom 33: Uchida, Bavarian Radio Symphony Orchestra, JansonsSaturday, 10 August 2013
Precious few musicians can instill such a sense of intimacy into their playing as to have us believing that the Royal Albert Hall is the Wigmore Hall and that their performance is for an audience of one and not six thousand. Mitsuko Uchida is among the select few. Read more... |
Prom 34: Nigel Kennedy, Palestine Strings, the Orchestra of LifeFriday, 09 August 2013
There had been a buzz of anticipation about this late-night Prom by Nigel Kennedy, the Palestine Strings and his Orchestra of Life, and it was completely sold out. After a long association with Vivaldi's Four Seasons, and 2.4 million sales of the 1989 album, Nigel Kennedy doesn't seek or need either forgiveness or permission to open the doors of this music to other tendencies. Read more... |
Prom 31: Frang, BBC Philharmonic, StorgårdsWednesday, 07 August 2013
It’s hard to find an overarching theme to last night’s Prom from John Storgårds and the BBC Philharmonic. We veered from a solidly patriotic opening (Walton, Rubbra) through the high romance of Bruch’s Violin Concerto to the murkier stylistic no man’s land of Korngold’s Symphony in F sharp. Musical emotions were running universally high however, and the cumulative effect was dramatic in the moment, but oddly unsatisfying on reflection. Read more... |
Prom 30: Bavouzet, BBC Philharmonic, NosedaTuesday, 06 August 2013
It was mostly Russian night at the Proms, and mostly music you could dance to, as a hand jiving Arena Prommer rather distractingly proved in the finale of Tchaikovsky’s Second Symphony. Even Prokofiev’s elephantine Second Piano Concerto was transformed into the ballet music Serge Diaghilev thought it might become in 1914. Much of this was thanks to the fleet feet and mobile shoulders of febrile BBC Philharmonic conductor Gianandrea Noseda. Read more... |
Prom 29: Tannhäuser, BBC Scottish Symphony Orchestra, RunniclesMonday, 05 August 2013
On the one occasion I went to Bayreuth, I made the mistake of seeing The Flying Dutchman and Lohengrin after the best of Ring cycles. At the Proms we’ve had a week of serious Wagnerian withdrawal symptoms, so Tannhäuser was never going to feel like too much or too little of a good thing. Read more... |
theartsdesk in Verbier: Festival scales new heightsSunday, 04 August 2013
The moment when Alfred Brendel shuffled on stage during the Verbier Festival’s 20th Anniversary Concert not to play, but to turn pages for long-time colleague Emmanuel Ax, expressed everything that is so special, so extraordinary about this festival. Walking off together, arms around each other’s shoulders, these were not just international soloists, they were two great old men and two even greater musicians. Read more... |
Classical CDs Weekly: Timo Andres, Berlioz, SchoenbergSaturday, 03 August 2013
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Prom 26: Serkin, BBC Symphony Orchestra, KnussenFriday, 02 August 2013
You wait years for a live performance to test whether Tippett’s Second Symphony is a masterpiece, and then two come along within six months. Both are due to the missionary zeal of the BBC Symphony Orchestra management, determined to give an overshadowed English composer a voice in Britten centenary year. But while Martyn Brabbins convinced me totally of the Second’s dynamic journey back in April at the Barbican, Oliver Knussen caught its rarefied sounds but not always its progressive sense... Read more... |
Prom 24: British Light MusicThursday, 01 August 2013
Reviewing last night’s Prom of British Light Music feels a bit like getting all AA Gill on your granny’s Victoria sponge. The collage of musical morsels from Bantock, Arnold, Coates and Elgar is music made with love, for pleasure, by composers who rated enjoyment over admiration. It’s music that smothers critical appraisal gently but firmly in its tweed-clad bosom, killing you with musical kindness. Read more... |
Timo Andres: Home Stretch Timo Andres (piano), Metropolis Ensemble/Andrew Cyr (Nonesuch)Pages
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