mon 23/05/2022

Peter Culshaw

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Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

theartsdesk Radio Show 33: Ukraine special - musicians and artists direct from Ukraine, with co-host Anastasia Piliavsky

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theartsdesk Radio Show 32: a conversation with Matt Johnson of The The

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theartsdesk Radio Show 31 - special guest: TV soundtrack maestro Dominik Scherrer

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London Bulgarian Choir, Kings Place review - dark Slavic tales in waves of sound

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GogolFest:Dream review - the best music festival of the summer?

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theartsdesk Radio Show 30 - podcast on Malcolm McLaren with Paul Gorman, his biographer

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theartsdesk Radio Show 29 - Morricone, Moroccan psychedelia and Sudanese techno

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Ennio Morricone 1928-2020: A lost afternoon in his apartment in Rome

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theartsdesk Radio Show 28 - Tony Allen tribute with guest Stephen Budd

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theartsdesk Radio Show 27 - direct from Sāo Paulo with guest stars including Chico César

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theartsdesk Radio Show 26 - with guest from the Amazon, the latest Brazilian star Arthur Nogueira

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theartsdesk Radio Show 25 - with bohemian chanteuse Anne Pigalle

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theartsdesk Radio Show 24 - hot subcontinental sounds with guest Viveick Rajagopalan

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WOMAD, Charlton Park review - a gloriously defiant global music celebration

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10th Odessa International Film Festival review - exquisite gay love stories and visionary new music

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Oumou Sangaré, Earth review - the new Mama Africa takes her crown

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latest in today

Cornelia Parker, Tate Britain review – divine intelligence

Cornelia Parker’s early installations are as fresh and as thought provoking as when they were made. Her...

Alyn Shipton: On Jazz - A Personal Journey - digging jazz de...

“I suppose you’re going to ask all the usual questions...?” When Keith Jarrett was...

Lotus Beauty, Hampstead Theatre Downstairs review – uneasy m...

Theatre is slowly recovering from the effects of the pandemic, and many shows which were cancelled because of the first lockdown are now finally...

Album: Heidi Talbot - Sing it for a Lifetime

As break-up albums go, Heidi Talbot’s new set knocks that tightly wound ball of heartbreak, separation and release into the front...

The Wreckers, Glyndebourne review - no masterpiece, but vivi...

Interesting for the history of music, but not for music? Passing acquaintance with Ethel Smyth’s The Wreckers, a grand opera by a woman...

Music Reissues Weekly: Patty Waters - You Loved Me

“Touched by Rodin in a Paris Museum” is a 14-minute consideration of exactly what its title says: the impact of encountering Auguste Rodin’s work...

DVD/Blu-ray: Parallel Mothers

Parallel Mothers unfolds at a daringly slow pace, and there are moments in the first half of...

The Deathless Woman review - the overlooked persecution of t...

One of the more heartwarming images in the news recently has been seeing Ukrainian refugees being welcomed by their eastern European neighbours....

My Fair Lady, London Coliseum review - tasteful revival powe...

First staged in 2018, Bartlett Sher’s Lincoln Center Theater production of My Fair Lady is London’s latest import from...

Benediction review - the world's worst wounds

Terence Davies’s Benediction is a haunting but uneven biopic of the...