Peter Culshaw
Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.
Articles By Peter Culshaw
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
theartsdesk Q&A: Iranian director Mohammad Rasoulof on...
Iranian director Mohammad Rasoulof is now an...
Album: Manic Street Preachers - Critical Thinking
Manic Street Preachers’ earnest and literate pretentiousness is both their Achilles Heel and their superpower. Their greatest songs are amped by...
Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican revi...
For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented...
Bowling For Soup, Civic Hall, Wolverhampton review - nostalg...
Bowling For Soup are celebrating their iconic album, A Hangover You Don’t Deserve, on a fun-filled, energetic tour for its 20th...
Philip Marsden: Under a Metal Sky review - rock and awe
Working on materials was basic to human culture from the start: chipping at flint to make a hand-axe; fashioning bone or wood; drying hides....
Blu-ray: High and Low
Akira Kurosawa’s mastery of different genres is a given and one of High and Low’s strengths is a seamless blending of various...
The Years, Harold Pinter Theatre review - a bravura, joyous...
Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...
Nina Conti: Whose Face Is It Anyway?, Brighton Dome review -...
“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.
The brilliance of...
Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguil...
It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...