mon 04/07/2022

Peter Culshaw

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Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

theartsdesk Radio Show 23 - the hottest Brazil sounds for 2019 with guest Tiago Di Mauro

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theartsdesk Radio Show 22 - the autumn's newest global sounds

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'I read French from left to right and Arabic from right to left': remembering Algerian rebel rocker Rachid Taha

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BaianaSystem, Village Underground - the new Brazilian contenders

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WOMAD 2, Charlton Park review - rainbows and rumba

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David Byrne, Eventim Apollo review - twice in a lifetime?

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Ismaili a Go-Go: How the Aga Khan funded a music renaissance

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Africa: A Journey Into Music, BBC Four review - too little, too late?

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theartsdesk in Ramallah - the music biz turns its sights on Palestine

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Tim Maia tribute, The Jazz Café review - the Brazilian wild soul legend revival continues

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theartsdesk Radio Show 21

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Norah Jones, Ronnie Scott's review - heartfelt music that transcends bland

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WOMAD 2017, Charlton Park review 2 - utopian globalist festival dances through the rain

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Yasmine Hamdan, Scala review - sultry, epic and doom-laden

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theartsdesk Radio Show 20 – from Mali to São Paulo

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Caetano Veloso and Teresa Cristina, Barbican

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latest in today

Album: Laura Veirs - Found Light

The last minute of Found Light’s third track “Seaside Haiku” is defined by the repetition of a single phrase: “give but don’t give too...

Music Reissues Weekly: Ferkat Al Ard - Oghneya

Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons....

Mick Jagger: My Life as a Rolling Stone review, BBC Two - th...

At the beginning of this film, Mick Jagger says: “What most...

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre re...

Pinocchio is one of our most irreverent metamorphosis stories, and in this visually ingenious blend of...

The Undeclared War, Channel 4 review - how would the UK cope...

As the world lurches ever deeper into multiple manifestations of chaos,...

Katya Adaui: Here Be Icebergs review - odd relations

The title of Katya Adaui’s debut collection in English is taken from one of the 12...

Joe Lycett, Eventim Apollo review - prankster goes long-form

Joe Lycett’s career was on an upward trajectory when he took on hosting duties on The Great British Sewing Bee, and the crafting show...

The Bobby Lees, Hare & Hounds, Birmingham review - rock’...

In a week when all kinds of people were going bonkers over an octogenarian playing songs from over 50 years ago to tens of thousands of people in...