sat 14/09/2024

Peter Culshaw

Peter Culshaw's picture
Bio
Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

Articles By Peter Culshaw

theartsdesk Radio Show 27 - direct from Sāo Paulo with guest stars including Chico César

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theartsdesk Radio Show 26 - with guest from the Amazon, the latest Brazilian star Arthur Nogueira

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theartsdesk Radio Show 25 - with bohemian chanteuse Anne Pigalle

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theartsdesk Radio Show 24 - hot subcontinental sounds with guest Viveick Rajagopalan

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WOMAD, Charlton Park review - a gloriously defiant global music celebration

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10th Odessa International Film Festival review - exquisite gay love stories and visionary new music

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Oumou Sangaré, Earth review - the new Mama Africa takes her crown

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theartsdesk Radio Show 23 - the hottest Brazil sounds for 2019 with guest Tiago Di Mauro

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theartsdesk Radio Show 22 - the autumn's newest global sounds

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'I read French from left to right and Arabic from right to left': remembering Algerian rebel rocker Rachid Taha

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BaianaSystem, Village Underground - the new Brazilian contenders

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WOMAD 2, Charlton Park review - rainbows and rumba

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David Byrne, Eventim Apollo review - twice in a lifetime?

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Ismaili a Go-Go: How the Aga Khan funded a music renaissance

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Africa: A Journey Into Music, BBC Four review - too little, too late?

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theartsdesk in Ramallah - the music biz turns its sights on Palestine

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latest in today

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...

Kim's Convenience, Riverside Studios review - KC and th...

One wonders what sitcom writers will do when supermarkets finally sweep the last corner shops away with nobody left old enough to buy...

The Real Ones, Bush Theatre review - engrossing, enjoyable a...

Platonic love should be simple – basically you’re best mates. And without the complications of sex, what could go wrong? Waleed...

Prom 71, Seong-Jin Cho review - refined Romantic journeys

Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised...

Frang, LSO, Pappano, Barbican review - a concerto performanc...

Hauntings, memories, echoes: Antonio Pappano has started his official tenure as chief conductor of the London Symphony Orchestra by looking back...

The Perfect Couple, Netflix review - an inconvenient death r...

Based on the novel by Elin Hilderbrand, The Perfect...

Lee review - shaky biopic of an iconic photographer

Anyone who has seen Lee Miller’s photographs – those taken of her in the 1920s when she was a dazzling American beauty, those she took as a...

Our Country's Good, Lyric Hammersmith review - lively b...

The latest Greatest Hit to land at the Lyric is Timberlake Wertenbaker’s 1988 award-winning play about a performance of Farquhar’s ...

Why Am I So Single?, Garrick Theatre review - superb songs i...

Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories...