Theatre Reviews
The Priory, Royal Court TheatreThursday, 26 November 2009
If it’s not quite the time of year to start making New Year resolutions, then it’s not far off. Everywhere, you can read the signs: bright lights on the main shopping streets, merry cash registers ringing and the sound of yule logs being felled in empty forests. Plus chronic gift anxieties and a grim foreboding about the coming Election Year. In Michael Wynne’s new comedy, The Priory, which opened last night at the Royal Court, a New Year’s Eve party gives us a taste of what’s to come... Read more... |
The Line, Arcola TheatreTuesday, 24 November 2009
The habit of art - a favourite topic of late, or so it would seem - gets a pummelling in The Line, a sort of Several Decades in the Atelier with Edgar (as in Degas) that would defy even Stephen Sondheim to shake a wordy and dour play into impassioned life. Henry Goodman brings his customary fervour to an assignment whose... Read more... |
Cock, Royal Court Theatre UpstairsThursday, 19 November 2009
Indecision takes the characters to the point of psychic collapse and beyond in Cock, the provocatively titled Mike Bartlett play that forsakes nudity for a far more troubling collective baring of the soul. Ben Whishaw is the name draw for a run that is already pretty well sold out, but James Macdonald's production is scathingly acted across the board; this is a play best seen with someone you fully trust. Read more... |
The Habit of Art, National TheatreWednesday, 18 November 2009
It sounded a dry subject and a dry title for Alan Bennett’s first play for five years - a fictional meeting between composer Benjamin Britten and poet W H Auden 25 years after they fell out, two old buggers, one furtive, the other extrovert. But at last night's premiere The Habit of Art proved an excruciatingly funny play, ribald, merciless, and as much about the bad habit of Theatre as that of the higher-toned Art. Read more... |
The Making of Moo, Orange Tree TheatreTuesday, 17 November 2009
Reviving rarely performed plays is a high-risk strategy. On the one hand, there’s the chance of discovering a forgotten gem; on the other, there may be good reasons for the play being rarely performed. Nigel Dennis’s The Making of Moo was first staged at the Royal Court in 1957 with a cast that included Joan Plowright, John Osborne and George Devine, and provoked accusations of blasphemy. How has this satire on religion stood the test of time? Read more... |
Mixed Up North, Wilton's Music HallSaturday, 14 November 2009
At first glance, verbatim theatre is a total bore. This form of drama, which collects the words spoken by real individuals and puts them into the mouths of actors, has been a central plank of the rebirth of political theatre since 9/11, but its pleasures tend to be cerebral rather than visceral, moral rather than physical. Attending a verbatim theatre event - such as Out Of Joint's latest show, Mixed Up North - usually makes you feel good as a citizen rather than as a person. Read more... |
Architecting, BarbicanFriday, 06 November 2009
There’s always a danger that when one raves about a play at the Edinburgh Fringe, seeing it a year later in another theatre and with a slightly different staging can be a disappointment. But that’s not the case with Architecting, a devised piece by New York-based ensemble the TEAM in a co-production with the... Read more... |
Shraddha, Soho TheatreWednesday, 04 November 2009
Oh dear, poor Pearl is in a bit of pickle. She's 17, and her mum wants to know what she's doing talkin' to Joe, a young lad from the local estate. After all, Pearl is meant to be engaged to Clive, her childhood sweetheart. And he'd come running if only Pearl would whistle. But she ain't interest'd. Anyhow, Pearl's mum knows what's what, and she reckons that mixed marriages never work. You see, Pearl is a Romany Gypsy and Joe is just a "Gorger" boy - that's Romany for anyone who isn't "one of us... Read more... |
Mrs Klein, Almeida TheatreSunday, 01 November 2009
Don't be put off by the deliberately dim interior that first greets you at Mrs Klein, the Nicholas Wright play that has been scorchingly revived at the Almeida Theatre by the director Thea Sharrock and a cast including Clare Higgins in her third stand-out performance on the London stage this year. Those who feel as if they've had enough theatrical psychiatry-speak from the Almeida courtesy of that venue's recent revival of Duet For One, think again: a play that can emerge... Read more... |
Pains of Youth, National TheatreWednesday, 28 October 2009
Dateline: Vienna, 1923. In a boarding house, seven young people - most of whom are medical students - find the air of the former Austro-Hungarian Empire’s capital city a heady mix of the sexually invigorating and the morally asphyxiating. At the opening last night of Ferdinand Bruckner's rarely performed play, Pains of Youth, there were moments when the event felt as if Egon Schiele was meeting Sigmund Freud at a madhouse performance of La Ronde. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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