fri 13/12/2024

james woodall

james.woodall's picture
Bio
James wrote (1999-2010) for the Financial Times, The Economist and Dance Europe, mainly from Berlin. His books include a biography of Jorge Luis Borges, a study of Rio's music through the life and work of Chico Buarque, and an account of the marriage of John Lennon and Yoko Ono. He's now a writer back in England.

Articles By James Woodall

Rock Island Line: The Song That Made Britain Rock, BBC Four review - the early dawn of Britpop

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The Beatles: Made on Merseyside, BBC Four review - when the Fab Four were five

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theartsdesk Q&A: Theatre Producer Elyse Dodgson

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Titus Andronicus, RSC, Barbican review - blood will out

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Coriolanus, Barbican review - great, late Shakespeare compels but doesn't stun

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The Tempest, Barbican Theatre review - sound and fury at the expense of sense

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It Was Fifty Years Ago Today! review - without a little help from their friends

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Shakespeare Trilogy, Donmar at King's Cross

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10 Questions for Director Lucy Bailey

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The Beatles: Eight Days a Week - The Touring Years

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The Girl from Ipanema: Brazil, Bossa Nova and the Beach, BBC Four

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theartsdesk at the Holland Festival

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George Martin (1926-2016), record producer and 'fifth Beatle'

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Rio+Film, Barbican

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Hot August Night: The Beatles at Shea Stadium

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The Story of The Beatles' Last Song

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latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Queer review - Daniel Craig meets William Burroughs

Judging by a Sunday Times interview last weekend, Daniel Craig now enjoys wearing brilliantly-coloured sweaters and extraordinary...

The Legends of Them, Royal Court review – reaching out for s...

I live in Brixton, south London. To get to the tube, I have to cross Windrush Square. Since 2021, I go past the Cherry Groce memorial, which...

William J. Mann: Bogie & Bacall review - beyond the scre...

What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question...

The Devil Wears Prada, Dominion Theatre review - efficient b...

It's second time only quasi-lucky for The Devil Wears Prada, the stage musical adaptation of the much-loved Meryl Streep film from 2006...

Album of the Year 2024: Amelia Coburn - Between the Moon and...

I’ve known for some time that Ariel Sharratt & Matthias Kom’s Never Work is my Album of the Year. This lividly witty...

The Lord of the Rings: The War of the Rohirrim review - a mi...
Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough...
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brot...

The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up...

Album: Ajukaja & Mart Avi - Death of Music

Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts...

The Producers, Menier Chocolate Factory review - liberating...

There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...