Theatre Interviews

10 Questions for Candice Edmunds of Theatre Company Vox Motus

Thomas H Green Thursday, 14 March 2019

“When we graduated we were seeing lot of theatre as a literary form,” explains Candice Edmunds of the theatre company Vox Motus, “But we were really excited by it as a visual form and everything we make, from our earliest scratch pieces up to Flight, has really been an experimentation into how much we can substitute dialogue and the written word for theatrical visuals.”

Robert Hastie: 'a seam of love runs through the play' - interview

Heather Neill Monday, 12 November 2018

Robert Hastie is a little late for our meeting. Directing Shakespeare's darkest tragedy in London while also running Sheffield Theatres must sometimes cause a logjam of simultaneous demands, but whatever the morning's problem in the north of England, he remains smiling, relaxed, thoughtful and gracious during a break from rehearsals.

theartsdesk Q&A: Theatre Producer Elyse Dodgson

james Woodall Friday, 26 October 2018

The Royal Court Theatre has long been a leader in new British drama writing. Thanks to Elyse Dodgson, who has died aged 73, it has built up an international programme like few others in the arts, anywhere. At the theatre, Elyse headed up readings, workshops (in London and abroad), exchanges and writers’ residencies that might have suggested a team of 15 or so but her department was modest in size.

Ian Rickson: 'I'm an introvert, I want to stop talking about myself' - interview

Jasper Rees Tuesday, 22 May 2018

Ian Rickson’s route into theatre was not conventional. Growing up in south London, he discovered plays largely through reading them as a student at Essex University. During those years he stood on a picketline in the miners’ strike, and proudly hurled the contents of an eggbox at Cecil Parkinson. He is a lifelong supporter of Charlton Athletic.

10 Questions for Sharon Smith of Arts Collective Gob Squad

Thomas H Green Thursday, 26 April 2018

Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in multimedia performance. Beginning in Nottingham in 1994 and now based in Berlin, their work ranges from site-specific to installation and film but, more recently, mainly theatre. They major in using technology to “make connections with places outside the theatre or to...

10 Questions for Performer Seth Kriebel

Thomas H Green Thursday, 05 April 2018

Seth Kriebel, 45, is a performer, much of whose work involves audience participation. He is bringing the show A House Repeated to the Brighton Festival 2018 between 6^th and 11^th May. Of American origin, born and raised near Philadelphia, Kriebel moved to the UK in 2001 and,...

'Why we understand each other': Peter Gill on The York Realist

David Benedict Monday, 12 February 2018

Fingers on buzzers… Question: What’s the connection between Days of Wine and Roses, Small Change, Making Noise Quietly and Versailles? Answer: They’re all past Donmar productions directed by Peter Gill.

Jeremy Irons: 'I was never very beautiful' - interview

Jasper Rees Monday, 22 January 2018

In 2016 the Bristol Old Vic turned 250. To blow out the candles, England’s oldest continually running theatre summoned home one of its most splendid alumni.

Douglas Henshall: 'You can get stuck when you’ve been in the business for 30 years' - interview

Jasper Rees Monday, 06 November 2017

“I’m mad as hell and I’m not going to take this anymore!” In 1976 American anger about the state of the nation was channelled into Network, in which cinema satirised its kid sibling television as vapid and opportunistic. Paddy Chayefsky’s script, directed by Sidney Lumet, starred Peter Finch as Howard Beale, a news anchor who has a nervous breakdown on screen in which he starts preaching and becomes the news.

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David Oakes: 'I haven’t done anything as bad as my characters'

Jasper Rees Monday, 16 October 2017

“He has something of Dillane about him.” Thus Patrick Marber on David Oakes. “I rate him very highly indeed. One of the very best of his generation.” Audiences at the Theatre Royal Haymarket will be able to judge for themselves this autumn. Oakes, 34, stars opposite Natalie Dormer in Marber’s production of Venus in Fur, a sizzling two-hander by David Ives.

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