sun 14/08/2022

Theatre Interviews

Q&A Special: Joe Orton's Sister

aleks Sierz

Play titles can acquire a life of their own. Playwright Joe Orton, who met a violent end in August 1967, didn’t have the chance to write the play that was to be called Prick Up Your Ears, but the title has lived on. And on. It was used by critic John Lahr for his 1978 biography of Orton, and by Stephen Frears for his 1987 film, which starred Gary Oldman. Now a new black comedy, written by Simon Bent and currently at the Comedy Theatre in the West End, uses the same title, with its...

Read more...

theartsdesk Q&A: Playwright Richard Bean

aleks Sierz

Richard Bean's monster mainstage play, England People Very Nice, was about immigration to London's East End - and was easily the most controversial play of 2009. He is a son of Hull (b. 1956). He is one of the most prolific and talented playwrights to...

Read more...

theartsdesk Q&A: Lyricist Tim Rice

Jasper Rees

Sir Tim Rice (b. 1944) will always be inextricably known as Andrew Lloyd Webber's original - and best - lyricist. They met in 1965 and promptly wrote a musical - The Likes of Us - which has never been professionally staged. Of the three which have been, Joseph and the Amazing Technicolor Dreamcoat turned 41 this year. After Jesus Christ Superstar and Evita, lyricist and composer parted company when Lloyd Webber started working with T S Eliot.

Read more...

Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


latest in today

Chineke! Chamber Ensemble / Martineau & Osborne / SCO, M...

What happens when great musicians play weak music? I couldn’t help but think about that while I listened to the musicians of Chineke! Chamber...

Music Reissues Weekly: The Telstar Story, The Heinz Sessions...

“Telstar” was released 60 years ago this week. On 17 August 1962...

Counting and Cracking, Edinburgh International Festival 2022...

First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfamiliar Sri Lankan subject matter, or maybe even...

Prom 35, Wang, Oslo Philharmonic, Mäkelä review - crystallin...

Klaus Mäkelä, 26-year old chief conductor of the Oslo Philharmonic and Orchestre de Paris, lined up for the same role at the Royal Concertgebouw...

Edinburgh Fringe 2022 reviews: Sara Barron / Jayde Adams / S...
Sara Barron, Pleasance Courtyard ★...
Album: Cass McCombs - Heartmind

Cass McCombs has something of the detailed, opaque depth of his late peer Jason Molina, with more taste for pop shapes under a broader musical...

Prom 34, Soltani, BBC Philharmonic, Ollikainen review - jour...

Proper music tells stories just about itself, the stern pedagogues insist; it doesn’t (or anyway shouldn’t) paint descriptive pictures of places...

Shetland, Series 7, BBC One review - Douglas Henshall is bac...

The last couple of series of Shetland (BBC One) brought the...

Eiffel review - sensuous secret history

This is a romantic historical epic with elan, giving sensual immediacy to a fanciful secret history of the Eiffel Tower, here inspired by a...