Theatre Reviews
The Inseparables, Finborough Theatre review - uneven portrait of a close female friendshipFriday, 25 April 2025
The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where two young girls meet and form a strong attachment. The semi-autobiographical story comes from a 1954 Simone de Beauvoir novel, Les inséparables, never published in her lifetime. Some apparently considered it too intimate, and Jean-Paul Sartre disapproved of it. Read more... |
Personal Values, Hampstead Theatre review - deep grief that's too briefThursday, 24 April 2025
“They fuck you up your Mum and Dad; they may not mean to, but they do.” These lines from Philip Larkin’s 1975 poem, “This Be the Verse”, sum up the emotional fuel of many recent plays by young writers. Read more... |
Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck you upFriday, 18 April 2025
A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and, more recently, Graham Norton’s bonhomie. Until you catch proper sight of the room’s walls that is, which are not, as you first thought, Duluxed in a bland magnolia shade, nor even panelled with upmarket modernist abstract paintings, befitting of the whiff of wealth that suffuses the space. Read more... |
All the Happy Things, Soho Theatre review - deep feelings, but little dramaWednesday, 16 April 2025
The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s Paradise Lost seems apt when thinking about the prevalence of mental health issues in current new writing for British stages. Perhaps this subject reflects the long shadow of the pandemic, or our greater sensitivity to such conditions. Read more... |
Shanghai Dolls, Kiln Theatre review - fascinating slice of history inadequately toldMonday, 14 April 2025
The writer Amy Ng has made a sterling effort in digging up the true story behind her new play at the Kiln, Shanghai Dolls, but sadly has not yet found the best way to project this interesting material. Read more... |
Manhunt, Royal Court review - terrifyingly toxic masculinityMonday, 14 April 2025
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court artistic director David Byrne claims in the programme of Manhunt, Robert Icke’s new documentary play about Raoul Moat. Weak thought, because surely there has never been a decade in which toxic masculinity was not a problem. Read more... |
Midnight Cowboy, Southwark Playhouse - new musical cannot escape the movie's long shadowSunday, 13 April 2025
It seems a bizarre idea. Take a pivotal film in American culture that reset the perception of The Great American Dream at this, obviously, pivotal moment in American culture in which The Great American Dream, for millions, is being literally swiped away at gunpoint, And… make it into a musical? Read more... |
Thanks for Having Me, Riverside Studios review - snappily performed comedy with a lightweight coreSaturday, 12 April 2025
Keelan Kember’s play Thanks for Having Me may look like a vehicle for Kedar Williams-Stirling (Sex Education, Red Pitch), but it’s more accurately a showcase for the comedic talents of Keelan Kember, a former OUDS performer with a TV pilot to his credit already. This 70-minute piece looks like another one. Read more... |
Rhinoceros, Almeida Theatre review - joyously absurd and absurdly joyfulSaturday, 05 April 2025
Is the theatre of the absurd dead? In today’s world, when cruel and crazy events happen almost daily, the idea that you can satirize daily life by exaggerating its latent irrationalities seems redundant. For this reason, perhaps, revivals of plays by Eugène Ionesco have been rather infrequent in recent years. Read more... |
The Importance of Being Oscar, Jermyn Street Theatre review - Wilde, still burning brightThursday, 03 April 2025
It’s a greater accolade than a Nobel Prize for Literature – one’s very own adjective. There’s a select few: Shakespearean; Dickensian and Pinteresque. Add to that list, Wildean. Read more... |
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Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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