Theatre Reviews
Hansel and Gretel, Shakespeare's Globe review - too saccharine a retelling for our timesSaturday, 07 December 2024
Growing up within a few hundred yards of a major dock, I hardly knew darkness or quiet – the first time I properly felt their terrible beauty was on the Isle of Man ferry in the middle of the Irish Sea, its voids still vivid half a century on. Read more... |
The Importance of Being Earnest, National Theatre review - no shortage of acid-tipped delightSaturday, 30 November 2024
If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then Oscar Wilde’s represents the stiletto in the Victorian sponge – at a time when the stiletto was a slim dagger used for assassination. Beneath the fopperies and fripperies of his fin-de-siècle classic, every line draws blood as he skewers the false gods and hypocrisies of his age. Read more... |
Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhemSaturday, 30 November 2024
It's all too easy to underplay the melancholy of Shakespeare's comedy of divided twins, misplaced – sometimes narcissistic – love, drunken frolics and a Puritan given his comeuppance. Tom Littler's decision to present the action in a very English Illyria during the years following World War II immediately sets the melancholy tone, but with pleasure bursting to make an entrance. Read more... |
The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to meSaturday, 30 November 2024
Percy Jackson is neither the missing one from Jackie, Tito, Jermaine, Marlon and Michael, nor an Australian Test cricketer of the 1920s, but a New York teenager with dyslexia and ADHD who keeps getting expelled from school. He’s a bit of a loner, too intense to huddle with the geeks, too stubborn to avoid the fights with the jocks, and his mother won’t tell him anything about his absent father. Who turns out to be a Greek god. Could happen to any kid. Read more... |
Expendable, Royal Court review - intensely felt family dramaFriday, 29 November 2024
British theatre excels in presenting social issues: at its best, it shines a bright light on the controversial subjects that people are thinking, and talking, about. Emteaz Hussain’s excellent new play, which opens at the Royal Court, is based on the appalling crimes, which took place from the 1990s to the 2010s, which involved hundreds of young girls being sexually exploited in northern towns by gangs of predatory men. Read more... |
The Purists, Kiln Theatre review - warm, witty, thoughtful and un-wokeFriday, 29 November 2024
Watching Dan McCabe’s 2019 play, older folk might be reminded of the Bonzo Dog Doo-Dah Band’s indelible lyrics, “Can blue men sing the whites, or are they hypocrites…?” The Purists moves the question into the 21st century in a teasing but very enjoyable way. Read more... |
The Dead, ANU, Landmark Productions, MoLI Dublin review - vital life, love and death in perfect equilibriumThursday, 28 November 2024
James Joyce’s Misses Morkan have gone up in the world for their Christmas gathering this year, from the upper part of a “dark, gaunt house” on the Liffey to the splendour of No. 86 St Stephen’s Green, now home to the Museum of Literature Ireland. Those of us with an "invitation" felt we were more in the grand house of the Ekdahls in Bergman’s Fanny and Alexander, but we “got” the Irish conviviality and just about every nuance of the masterly short story, with more besides. Read more... |
All's Well That Ends Well, Sam Wanamaker Playhouse review - Shakespeare at his least likeableMonday, 25 November 2024
"All’s well that ends well". Sounds like the kind of phrase a guilty parent says to a disappointed child after they’ve been caught in a white lie and bought them a bag of sweets to smooth things over. It’s a saying that betokens bad behaviour, a need to sweep things under the carpet, portending a fresh start. There’s an edge of power in it too, implying that the speaker can now define their interlocutor’s feelings. In short, it’s ugly. Read more... |
Wicked review - overly busy if beautifully sung cliffhangerSaturday, 23 November 2024
"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later with the words, "to be continued" flashed up on the screen. Will filmgoers mourn that they have to wait an entire year to see the second part of this supercharged screen adaptation of the stage musical blockbuster that London and New York audiences can currently absorb in a single sitting? Read more... |
King James, Hampstead Theatre review - UK premiere drains a three-pointerSaturday, 23 November 2024
Cleveland is probably the American city most like the one in which I grew up. Early into the icy embrace of post-industrialisation, not really on the way to anywhere, but not a destination either and obsessed with popular music and sports, it's very Scouse. Okay, the Mersey did not catch fire as the Cuyahoga River did in 1969, but it would not have surprised anyone in Liverpool had it done so. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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