aleks sierz
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.
Articles By Aleks Sierz
latest in today
Here comes the flood: Bob Dylan's 1974 Live Recordings
Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...
Album: The Waeve - City Lights
Real-life couple Graham Coxon and Rose-Elinor Dougall are both musicians of some profile in their own rights. The former, especially, for his work...
Donohoe, Roscoe, Stoller Hall, Manchester review - two great...
A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...
Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...
It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...
My Favourite Cake review - woman, love, and freedom
The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...
Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...
A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...
The Band Back Together, Arcola Theatre review - three is a d...
We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...
Music Reissues Weekly: Sean Buckley & The Breadcrumbs
Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...
The Critic review - beware the acid-tipped pen
The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...