aleks sierz
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.
Articles By Aleks Sierz
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...
There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...
An Interrogation, Hampstead Theatre review - police procedur...
In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks...
Album: ALT BLK ERA - Rave Immortal
The utopian messiness of 1990s dance music culture is now so far...
The Lonely Londoners, Kiln Theatre review - Windrush Generat...
As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...
Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review...
There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in...
Album: Ludovico Einaudi - The Summer Portraits
Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...
Prime Target, Apple TV+ review - the appliance of science
An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...
Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...
Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...
Amelia Coburn, Komedia, Brighton review - short set from ris...
The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the...