fri 16/05/2025

aleks sierz

aleks.sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Talking About the Fire, Royal Court review - urgent and informative

Read more...

A Sherlock Carol, Marylebone Theatre review - merry, but mirthless

Read more...

Feeling Afraid As If Something Terrible Is Going To Happen, Bush Theatre review - charismatic stand-up routine

Read more...

Mates in Chelsea, Royal Court review – silly rather than satirical

Read more...

To Have and To Hold, Hampstead Theatre review - funny but flawed

Read more...

The Interview, Park Theatre review - Martin Bashir's comeuppance

Read more...

Boy Parts, Soho Theatre review - not subversive enough

Read more...

Blue Mist, Royal Court review - authentic, but not entirely convincing

Read more...

Death of England: Closing Time, National Theatre review - thrillingly and abundantly alive

Read more...

Octopolis, Hampstead Theatre review - blue, blue, electric blue

Read more...

Operation Epsilon, Southwark Playhouse review - alternative Oppenheimer

Read more...

That Face, Orange Tree Theatre review - in-yer-face family drama

Read more...

A Mirror, Almeida Theatre review - unconvincing and contrived

Read more...

Cuckoo, Royal Court review - slow, superficial and unfunny

Read more...

Beneatha's Place, Young Vic review - strongly felt, but uneven

Read more...

When Winston Went to War with the Wireless, Donmar Warehouse review - lively, but messy

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

theartsdesk Q&A: Zoë Telford on playing a stressed-out p...

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

Good One review - a life lesson in the wild with her dad and...

Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskill Forest...

E.1027 - Eileen Gray and the House by the Sea review - dull...

It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...

Album: Rico Nasty - LETHAL

Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...

The Marching Band review - what's the French for '...

In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...

Lucy Farrell, Catherine MacLellan, The Green Note review - s...

Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...

1536, Almeida Theatre review - fast and furious portrayal of...

Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...

Album: Billy Nomates - Metalhorse

Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...