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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

To Have and To Hold, Hampstead Theatre review - funny but flawed

Wednesday, 08 November 2023 Read more...

The Interview, Park Theatre review - Martin Bashir's comeuppance

Saturday, 04 November 2023 Read more...

Boy Parts, Soho Theatre review - not subversive enough

Saturday, 28 October 2023 Read more...

Blue Mist, Royal Court review - authentic, but not entirely convincing

Thursday, 12 October 2023 Read more...

Death of England: Closing Time, National Theatre review - thrillingly and abundantly alive

Tuesday, 10 October 2023 Read more...

Octopolis, Hampstead Theatre review - blue, blue, electric blue

Tuesday, 26 September 2023 Read more...

Operation Epsilon, Southwark Playhouse review - alternative Oppenheimer

Saturday, 23 September 2023 Read more...

That Face, Orange Tree Theatre review - in-yer-face family drama

Friday, 15 September 2023 Read more...

A Mirror, Almeida Theatre review - unconvincing and contrived

Friday, 25 August 2023 Read more...

Cuckoo, Royal Court review - slow, superficial and unfunny

Saturday, 15 July 2023 Read more...

Beneatha's Place, Young Vic review - strongly felt, but uneven

Friday, 07 July 2023 Read more...

When Winston Went to War with the Wireless, Donmar Warehouse review - lively, but messy

Wednesday, 05 July 2023 Read more...

The Swell, Orange Tree Theatre review - mind-bending romantic drama

Monday, 03 July 2023 Read more...

The Pillowman, Duke of York’s Theatre review - starry but slack

Friday, 23 June 2023 Read more...

All of It/Hope Has a Happy Meal, Royal Court review - surreal pleasures

Monday, 12 June 2023 Read more...

Dixon and Daughters, National Theatre review - cold discomfort harm

Thursday, 27 April 2023 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Blu-Ray: The Man in the White Suit

The best Ealing comedies are surely the three...

Solomon, OAE, Butt, QEH review - daft Biblical whitewashing...

Forty years ago, the Orchestra of the Age of Enlightenment was born, and I heard Handel’s Solomon in concert for the first time. Charles...

The Woman in Cabin 10 review - Scandi noir meets Agatha Chri...

A fizzy mystery cocktail with a twist and a splash, The Woman in Cabin 10, based on Ruth Ware’s bestseller, sails along like the sleek...

Soulwax’s 'All Systems Are Lying' lays down some t...

It’s seven years since the Belgian brothers Dewaele unleashed their fine, largely instrumental and foot-stomping Essential album on the...

Two-Piano Gala, Kings Place review - shining constellations

Never mind the permutations (anything up to eight hands on the two pianos); feel the unwavering quality of the eight pianists and the 13 works,...

Music Reissues Weekly: Marc and the Mambas - Three Black Nig...

A month after Soft Cell’s "Say Hello, Wave Goodbye" single peaked at number three in the UK charts, Marc Almond issued a single credited to Marc...

Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...