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aleks sierz

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Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Trouble in Butetown, Donmar Warehouse review - entertaining and warmhearted

Wednesday, 22 February 2023 Read more...

Graceland, Royal Court review - quiet desolation is too literary

Thursday, 16 February 2023 Read more...

Phaedra, National Theatre review - stunning acting in stunning show

Monday, 13 February 2023 Read more...

Linck & Mülhahn, Hampstead Theatre review - problems as well as pleasures

Wednesday, 08 February 2023 Read more...

Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the drama

Thursday, 02 February 2023 Read more...

Two Billion Beats, Orange Tree Theatre review - lively, but overly idealistic

Wednesday, 01 February 2023 Read more...

Sound of the Underground, Royal Court review - loud and triumphantly proud

Monday, 30 January 2023 Read more...

Sons of the Prophet, Hampstead Theatre review - perfect mix of pain and comedy

Thursday, 15 December 2022 Read more...

Kerry Jackson, National Theatre review - new writing nadir

Monday, 12 December 2022 Read more...

Baghdaddy, Royal Court review - Middle-Eastern magic realism

Monday, 28 November 2022 Read more...

The Sex Party, Menier Chocolate Factory review - disappointing detumescence

Friday, 18 November 2022 Read more...

Super High Resolution, Soho Theatre review - the NHS at breaking point

Monday, 14 November 2022 Read more...

Mary, Hampstead Theatre review - compelling study of power politics

Wednesday, 02 November 2022 Read more...

‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

Monday, 31 October 2022 Read more...

Marvellous, @sohoplace review - silly, singular and sentimental

Monday, 24 October 2022 Read more...

Ravenscourt, Hampstead Theatre review - strong, but slender

Saturday, 08 October 2022 Read more...

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BBC Proms: Barruk, Norwegian Chamber Orchestra, Kuusisto rev...

Every year, the Royal Albert Hall proves complicit in the magic of the quietest utterances if, as Barenboim put it, you let the audience come to...

Blu-ray: The Graduate

Can a film’s classic status expire, or be rescinded? If it can, I’d say The Graduate is a potential candidate.

...

BBC Proms: Alexander’s Feast, Irish Baroque Orchestra, Whela...

Many Londoners would already have experienced the musicality incarnate of Peter Whelan and his Irish Baroque Orchestra. A smaller ensemble rocked...

Album: Brad Mehldau - Ride into the Sun

Brad Mehldau’s three trio concerts in the UK in June showed what it is he does so brilliantly. The group (with bassist Felix Moseholm and drummer...

Music Reissues Weekly: The Outer Limits - Just One More Chan...

The Outer Limits were from Leeds. Active over 1965 to 1968, the...

BBC Proms: Moore, LSO, Bancroft review - the freshness of mo...

11am concerts do take some getting used to. The BBC Proms season has no fewer than...

Willis-Sørensen, Ukrainian Freedom Orchestra, Wilson, Cadoga...

This week Vladimir Putin tried to murder my hosts in Ukraine. He failed. In more hopeful days, I spoke at a seminar organised by the British...

Interview, Riverside Studios review - old media vs new in sp...

The cult film that director Theo van Gogh left behind when he was killed in 2004, Interview, has already been remade twice;...

theartsdesk Radio Show 37 - Pete Lawrence of the Big Chill d...

This edition of Peter Culshaw’s peripatetic...