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aleks sierz

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Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Linck & Mülhahn, Hampstead Theatre review - problems as well as pleasures

Wednesday, 08 February 2023 Read more...

Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the drama

Thursday, 02 February 2023 Read more...

Two Billion Beats, Orange Tree Theatre review - lively, but overly idealistic

Wednesday, 01 February 2023 Read more...

Sound of the Underground, Royal Court review - loud and triumphantly proud

Monday, 30 January 2023 Read more...

Sons of the Prophet, Hampstead Theatre review - perfect mix of pain and comedy

Thursday, 15 December 2022 Read more...

Kerry Jackson, National Theatre review - new writing nadir

Monday, 12 December 2022 Read more...

Baghdaddy, Royal Court review - Middle-Eastern magic realism

Monday, 28 November 2022 Read more...

The Sex Party, Menier Chocolate Factory review - disappointing detumescence

Friday, 18 November 2022 Read more...

Super High Resolution, Soho Theatre review - the NHS at breaking point

Monday, 14 November 2022 Read more...

Mary, Hampstead Theatre review - compelling study of power politics

Wednesday, 02 November 2022 Read more...

‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

Monday, 31 October 2022 Read more...

Marvellous, @sohoplace review - silly, singular and sentimental

Monday, 24 October 2022 Read more...

Ravenscourt, Hampstead Theatre review - strong, but slender

Saturday, 08 October 2022 Read more...

Jews. In Their Own Words, Royal Court review - calling out ancient prejudice

Thursday, 29 September 2022 Read more...

The P Word, Bush Theatre review - persecution and pride

Saturday, 17 September 2022 Read more...

Silence, Donmar Warehouse review - documenting disaster

Thursday, 08 September 2022 Read more...

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'We are bowled over!' Thank you for your messages... ...
Till the Stars Come Down, Theatre Royal Haymarket review - a...

The 2024 play at the National...

Too Much, Netflix - a romcom that's oversexed, and over...

A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, original...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Music Reissues Weekly: Beggars Arkive - Gary Numan's 19...

Tubeway Army’s “Are ‘Friends’ Electric” hit the top of the UK single’s chart in the last week of June 1979. It stayed there for four weeks. Its...

The Other Way Around review - teasing Spanish study of a bre...

Can a romcom be intellectually...

Album: Wet Leg - moisturizer

War, pestilence, famine, death. I don’t know about you, but I’ve had my fill of them all. So what better time to visit the genuinely sunny uplands...

Nye, National Theatre review - Michael Sheen's full-blo...

The National Health Service was established 77 years ago this month. Resident doctors are about to strike for more pay, long waiting lists for...

Emily Kam Kngwarray, Tate Modern review - glimpses of anothe...

It took until the last room of her exhibition for me to gain any real understanding of the work of...