aleks sierz
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.
Articles By Aleks Sierz
latest in today
Love Supreme Festival, Sunday review - eclectic jazz on the...
By day three of any festival things are usually winding down. But there was a sense that...
Album: Vyvyan - Y
After four years, three releases and a slew of remixes, the identity of spotlight-shunning producer Vyvyan ended up the subject of intense...
theartsdesk at the East Neuk Festival 2022 - on Cloud Nine f...
Last year’s relatively slimline East Neuk Festival felt like a feast in time of plague. This July everything was back to full strength in numerous...
Jessie Burton: The House of Fortune review - a muted, sensit...
A sequel is always a hard thing to write, especially if the book that precedes it is a bestseller, adapted for television and read by more than a...
Album: Viagra Boys - Cave World
The third album from Stockholm rowdies Viagra Boys doesn’t muck about with what they do, but it’s more persistently punkin’ than their last. There...
Mick Jagger: My Life as a Rolling Stone review, BBC Two - th...
At the beginning of this film, Mick Jagger says: “What most...
Alcina, Glyndebourne review - Handel on the strand
Reviewing the Grange Festival production of Tamerlano the other day, I noted the difficulty...
Favour, Bush Theatre review - Ambreen Razia's punchy ne...
Where should Leila live — Ilford or Kent? It doesn’t sound like an earth-shattering decision for a 15-year-old to make, but the stakes...
Album: Laura Veirs - Found Light
The last minute of Found Light’s third track “Seaside Haiku” is defined by the repetition of a single phrase: “give but don’t give too...
Music Reissues Weekly: Ferkat Al Ard - Oghneya
Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons....