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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Hansard, National Theatre review - starry argument ends poorly

Wednesday, 04 September 2019 Read more...

The Doctor, Almeida Theatre review - Robert Icke's long goodbye

Wednesday, 21 August 2019 Read more...

Go Bang Your Tambourine, Finborough Theatre review - out-dated and long-winded

Thursday, 08 August 2019 Read more...

The Night of the Iguana, Noël Coward Theatre review - Clive Owen and Lia Williams burn bright

Wednesday, 17 July 2019 Read more...

Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meanings

Tuesday, 09 July 2019 Read more...

Rust, Bush Theatre review - slender yet invigorating

Tuesday, 02 July 2019 Read more...

Europe, Donmar Warehouse review - timely, tender, brutal and brilliant

Friday, 28 June 2019 Read more...

The Hunt, Almeida Theatre review - tense Scandinoirland drama

Thursday, 27 June 2019 Read more...

Bitter Wheat, Garrick Theatre review - Malkovich monologue is more chaff than wheat

Thursday, 20 June 2019 Read more...

Citysong, Soho Theatre review - big writing, big heart

Wednesday, 19 June 2019 Read more...

Wife, Kiln Theatre review - queer epic is joyful and intense

Wednesday, 05 June 2019 Read more...

Rutherford and Son, National Theatre review - authentic northern tale

Tuesday, 28 May 2019 Read more...

ANNA, National Theatre review - great thriller, shame about the tone

Wednesday, 22 May 2019 Read more...

salt., Royal Court review - revisiting the Atlantic slave trade

Saturday, 18 May 2019 Read more...

White Pearl, Royal Court review - comic racial stereotypes

Friday, 17 May 2019 Read more...

Small Island, National Theatre review - fun epic takes ages to warm up

Friday, 03 May 2019 Read more...

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Laura Benanti: Nobody Cares, Underbelly Boulevard Soho revie...

Laura Benanti has been enchanting Broadway audiences for several decades now, and London has this week been let in on the secret that recently...

The Paper, Sky Max review - a spinoff of the US Office worth...

Fans of the US version of The Office may wonder what happened to the assorted oddballs of Dunder Mifflin, proud creators of...

Edinburgh Psych Fest 2025 review - eclectic and experimental

Now in its third year, Edinburgh Psych Fest returned to multiple venues in the old town and the city’s southside for 2025; namely Summerhall,...

The Pitchfork Disney, King's Head Theatre review - blaz...

Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one play that kicked off that whole 1990s...

Supersonic Festival 2025, Birmingham review - a deep dive in...

The annual Supersonic Festival is a major jewel in ...

Album: Faithless - Champion Sound

Although they haven’t had a hit single in almost 20 years, Faithless remain a potent commercial force, continuing to rack up festival headline...

The Guest, BBC One review - be careful what you wish for

Why isn’t Eve Myles a superstar? Though well known for her appearances in the likes of Torchwood, Broadchurch and the brilliant...

Born with Teeth, Wyndham's Theatre review - electric sp...

The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with...

Album: Saint Etienne - International

International is Saint Etienne’s 13th album. It is their last. According to the promotional material, it was written while recording...