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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meanings

Tuesday, 09 July 2019 Read more...

Rust, Bush Theatre review - slender yet invigorating

Tuesday, 02 July 2019 Read more...

Europe, Donmar Warehouse review - timely, tender, brutal and brilliant

Friday, 28 June 2019 Read more...

The Hunt, Almeida Theatre review - tense Scandinoirland drama

Thursday, 27 June 2019 Read more...

Bitter Wheat, Garrick Theatre review - Malkovich monologue is more chaff than wheat

Thursday, 20 June 2019 Read more...

Citysong, Soho Theatre review - big writing, big heart

Wednesday, 19 June 2019 Read more...

Wife, Kiln Theatre review - queer epic is joyful and intense

Wednesday, 05 June 2019 Read more...

Rutherford and Son, National Theatre review - authentic northern tale

Tuesday, 28 May 2019 Read more...

ANNA, National Theatre review - great thriller, shame about the tone

Wednesday, 22 May 2019 Read more...

salt., Royal Court review - revisiting the Atlantic slave trade

Saturday, 18 May 2019 Read more...

White Pearl, Royal Court review - comic racial stereotypes

Friday, 17 May 2019 Read more...

Small Island, National Theatre review - fun epic takes ages to warm up

Friday, 03 May 2019 Read more...

Jude, Hampstead Theatre review - Greek tragedy for today

Friday, 03 May 2019 Read more...

The Half God of Rainfall, Kiln Theatre review - titanic war of the gods

Wednesday, 01 May 2019 Read more...

All My Sons, Old Vic review - starry but disappointingly uneven

Wednesday, 24 April 2019 Read more...

Three Sisters, Almeida Theatre review - middle of the road with flashes of magic

Wednesday, 17 April 2019 Read more...

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'We are bowled over!' Thank you for your messages... ...
Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Superman review - America's ultimate immigrant

A three-century-spanning countdown rapidly ticks to a version of now, and a beaten Superman (David Corenswet) ploughing into Arctic snow. His...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...