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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Baby Reindeer, Bush Theatre review - break, break, breaking Gadd

Saturday, 12 October 2019 Read more...

A Day in the Death of Joe Egg, Trafalgar Studios review - tragi-comic masterpiece

Wednesday, 02 October 2019 Read more...

Glass. Kill. Bluebeard. Imp., Royal Court review - still experimental after all these years

Friday, 27 September 2019 Read more...

Two Ladies, Bridge Theatre review - Cvitešić and Wanamaker really rock

Thursday, 26 September 2019 Read more...

The King of Hell’s Palace, Hampstead Theatre review - Chinese scandal freezes the blood

Friday, 13 September 2019 Read more...

Chiaroscuro, Bush Theatre review - music, sweet, sweet music

Saturday, 07 September 2019 Read more...

Total Immediate Collective Imminent Terrestrial Salvation, Royal Court review - brilliant meta-theatrical experience

Friday, 06 September 2019 Read more...

Hansard, National Theatre review - starry argument ends poorly

Wednesday, 04 September 2019 Read more...

The Doctor, Almeida Theatre review - Robert Icke's long goodbye

Wednesday, 21 August 2019 Read more...

Go Bang Your Tambourine, Finborough Theatre review - out-dated and long-winded

Thursday, 08 August 2019 Read more...

The Night of the Iguana, Noël Coward Theatre review - Clive Owen and Lia Williams burn bright

Wednesday, 17 July 2019 Read more...

Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meanings

Tuesday, 09 July 2019 Read more...

Rust, Bush Theatre review - slender yet invigorating

Tuesday, 02 July 2019 Read more...

Europe, Donmar Warehouse review - timely, tender, brutal and brilliant

Friday, 28 June 2019 Read more...

The Hunt, Almeida Theatre review - tense Scandinoirland drama

Thursday, 27 June 2019 Read more...

Bitter Wheat, Garrick Theatre review - Malkovich monologue is more chaff than wheat

Thursday, 20 June 2019 Read more...

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The Makropulos Case, Royal Opera - pointless feminist compli...

Janáček described his nature-versus-humanity fable The Cunning Little Vixen as “a merry thing with a sad...

Othello, Theatre Royal, Haymarket review - a surprising mix...

Perspectives on Shakespeare's tragedy have changed over the decades....

Benson Boone, O2 London review - sequins, spectacle and chee...

After cancelling his Birmingham gig an hour before curtain-up due to illness, the anticipatory hype around whether...

Die My Love review - good lovin' gone bad

Directed by Lynne Ramsay and based on the book by Ariana Harwicz, Die My Love is an unsettling dive into the disturbed psyche of...

Midlake's 'A Bridge to Far' is a tour-de-forc...

“Climb upon a bridge to far, go anywhere your heart desires.” The key phrase from the title track of Midlake’s sixth studio album conveys the...

Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

First Person: Kerem Hasan on the transformative experience o...

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De...