mon 29/04/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Ramona Tells Jim, Bush Theatre, review – kooky, teenage heartbreak

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Oslo, National Theatre review - informative, gripping and moving

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The Blinding Light, Jermyn Street Theatre, review – Jasper Britton is fascinatingly febrile

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Loot, Park Theatre review – dizzyingly enjoyable

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Knives in Hens, Donmar Warehouse review – Yaël Farber not symbolic enough

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Against, Almeida Theatre review - Ben Whishaw is a modern-day Jesus

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The Majority, National Theatre review – a minority interest

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Apologia, Trafalgar Studios review – Stockard Channing shines bright as a 1960s radical

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Bodies, Royal Court review – pregnant with meaning

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Ink, Almeida Theatre review - The Sun rises while show sinks

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Terror, Lyric Hammersmith review – more gimmick than drama

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Hir, Bush Theatre review – transgender home is sub-prime

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Anatomy of a Suicide, Royal Court review - devastatingly brilliant

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Barber Shop Chronicles, National Theatre review - foot-stompingly pleasurable

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Common, National Theatre review - Anne-Marie Duff fails to ignite

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Killology, Royal Court review – both disturbing and life-affirming

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latest in today

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small scale shows, nurtured in offbeat places, are becoming all the rage in the...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...

Orbital, O2 Institute, Birmingham review - the techno titans...

On Friday evening, dance veterans Orbital touched down in Birmingham to celebrate two of the most significant and acclaimed albums in...

Fern Brady, Netflix Special review - sex, relationships and...

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady...

Album: The Lemon Twigs - A Dream Is All We Know

The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s ...

Götterdämmerung, LPO, Jurowski, RFH review - outside looking...

Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...

Music Reissues Weekly: Warsaw - Middlesbrough 14th September...

Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...

theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco...

Testmatch, Orange Tree Theatre review - Raj rage, old and ne...

Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...