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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Holy Shit, Kiln Theatre review - what's in a name?

Tuesday, 11 September 2018 Read more...

Aristocrats, Donmar Warehouse review - fresh but uneven

Friday, 10 August 2018 Read more...

Silk Road (How To Buy Drugs Online), Trafalgar Studios review - Geordie chancer comes of age

Wednesday, 08 August 2018 Read more...

Allelujah!, Bridge Theatre review - hilarious but dark, darker, darkest

Friday, 20 July 2018 Read more...

Alkaline, Park Theatre review - faith, friendship and failure

Saturday, 14 July 2018 Read more...

Imperium, Gielgud Theatre review - eventful, very eventful, Roman epic

Thursday, 05 July 2018 Read more...

Genesis Inc, Hampstead Theatre review - Harry Enfield in ungodly mess

Friday, 29 June 2018 Read more...

One for Sorrow, Royal Court review - imploding family drama

Thursday, 28 June 2018 Read more...

Monogamy, Park Theatre review - Janie Dee in dark family drama

Tuesday, 12 June 2018 Read more...

The Strange Death of John Doe, Hampstead Theatre review - ambitious but not entirely successful

Wednesday, 06 June 2018 Read more...

Fatherland, Lyric Hammersmith review - loud and proud, shame about the content

Saturday, 02 June 2018 Read more...

Nightfall, Bridge Theatre, review - moving but over-exposed

Wednesday, 09 May 2018 Read more...

Mood Music, Old Vic review - riveting critique of the music biz

Thursday, 03 May 2018 Read more...

Nine Night, National Theatre review - Jamaican family drama full of spirit

Tuesday, 01 May 2018 Read more...

Absolute Hell, National Theatre review - high gloss show saves over-rated classic

Thursday, 26 April 2018 Read more...

The Prudes, Royal Court review - hilarious but frustrating sex show

Wednesday, 25 April 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Laura Benanti: Nobody Cares, Underbelly Boulevard Soho revie...

Laura Benanti has been enchanting Broadway audiences for several decades now, and London has this week been let in on the secret that recently...

The Paper, Sky Max review - a spinoff of the US Office worth...

Fans of the US version of The Office may wonder what happened to the assorted oddballs of Dunder Mifflin, proud creators of...

Edinburgh Psych Fest 2025 review - eclectic and experimental

Now in its third year, Edinburgh Psych Fest returned to multiple venues in the old town and the city’s southside for 2025; namely Summerhall,...

The Pitchfork Disney, King's Head Theatre review - blaz...

Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one play that kicked off that whole 1990s...

Supersonic Festival 2025, Birmingham review - a deep dive in...

The annual Supersonic Festival is a major jewel in ...

Album: Faithless - Champion Sound

Although they haven’t had a hit single in almost 20 years, Faithless remain a potent commercial force, continuing to rack up festival headline...

The Guest, BBC One review - be careful what you wish for

Why isn’t Eve Myles a superstar? Though well known for her appearances in the likes of Torchwood, Broadchurch and the brilliant...

Born with Teeth, Wyndham's Theatre review - electric sp...

The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with...

Album: Saint Etienne - International

International is Saint Etienne’s 13th album. It is their last. According to the promotional material, it was written while recording...