fri 29/03/2024

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

The Unreturning, Theatre Royal Stratford East review - hymn to home

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Approaching Empty, Kiln Theatre review - more minicab than Uber

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The Convert, Young Vic review - Africa's electric cry for justice

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The Cane, Royal Court review - hey teacher, leave them kids alone

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Hole, Royal Court review - anger is not quite enough

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The Hoes, Hampstead Theatre review - sex and drink and grime

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White Teeth, Kiln Theatre review - tuneless hymn to Kilburn High Road

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ear for eye, Royal Court review - powerful and passionate anti-racism

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A Very Very Very Dark Matter, Bridge Theatre review - black comedy falls flat

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Stories, National Theatre review - comic conception capers

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I'm Not Running, National Theatre review - puzzling political drama

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The Sweet Science of Bruising, Southwark Playhouse review - boxing clever

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Pack of Lies, Menier Chocolate Factory review - suburban spy story

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Poet in da Corner, Royal Court review - mind-blowing energy plus plus plus

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An Adventure, Bush Theatre review - epic but flawed

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The Woods, Royal Court review - Lesley Sharp triumphs again

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Bach's Easter Oratorio, OAE, Whelan, QEH review – the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...