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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Kerry Jackson, National Theatre review - new writing nadir

Monday, 12 December 2022 Read more...

Baghdaddy, Royal Court review - Middle-Eastern magic realism

Monday, 28 November 2022 Read more...

The Sex Party, Menier Chocolate Factory review - disappointing detumescence

Friday, 18 November 2022 Read more...

Super High Resolution, Soho Theatre review - the NHS at breaking point

Monday, 14 November 2022 Read more...

Mary, Hampstead Theatre review - compelling study of power politics

Wednesday, 02 November 2022 Read more...

‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest play

Monday, 31 October 2022 Read more...

Marvellous, @sohoplace review - silly, singular and sentimental

Monday, 24 October 2022 Read more...

Ravenscourt, Hampstead Theatre review - strong, but slender

Saturday, 08 October 2022 Read more...

Jews. In Their Own Words, Royal Court review - calling out ancient prejudice

Thursday, 29 September 2022 Read more...

The P Word, Bush Theatre review - persecution and pride

Saturday, 17 September 2022 Read more...

Silence, Donmar Warehouse review - documenting disaster

Thursday, 08 September 2022 Read more...

The Trials, Donmar Warehouse review - chillingly compelling

Thursday, 18 August 2022 Read more...

All of Us, National Theatre review - revelatory, but problematic

Wednesday, 10 August 2022 Read more...

Chasing Hares, Young Vic review - militant mix of politics and fantasy

Wednesday, 27 July 2022 Read more...

The Fellowship, Hampstead Theatre review - strong clashes, too little drama

Wednesday, 29 June 2022 Read more...

Bangers, Soho Theatre review - sizzling gig theatre

Wednesday, 22 June 2022 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Down Cemetery Road, Apple TV review - wit, grit and a twisty...

Back in 2003, when Mick Herron was a humble sub-editor, his...

The Railway Children, Glyndebourne review - right train, wro...

If the distance from Festen to The Railway Children looks like a long stretch of track, remember that Mark-Anthony Turnage’s...

Robin Holloway: Music's Odyssey review - lessons in com...

Robin Holloway is a composer and, until his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the...

Classical CDs: Wolf-pelts, clowns and social realism

 

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Wendy & Peter Pan, Barbican Theatre review - mixed bag o...

On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

Bugonia review - Yorgos Lanthimos on aliens, bees and conspi...

“How can you tell she’s an alien?” asks Don (Aidan Delbis, an impressive neuro-divergent actor) of his cousin Teddy (the excellent Jesse Plemons...

Cat Burns finds 'How to Be Human' but maybe not he...

Twenty-five-year-old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer....

Todd Rundgren, London Palladium review - bold, soul-inclined...

The first words are spoken after “Worldwide Epiphany,” the 20th song. “Thank you” is all Todd Rundgren says. With this, the set ends.

It...

Photo Oxford 2025 review - photography all over the town

Photo Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new...