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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch

Tuesday, 04 February 2025 Read more...

A Good House, Royal Court review - provocative, but imperfect

Monday, 20 January 2025 Read more...

The Invention of Love, Hampstead Theatre review - beautiful wit, awkward staging

Tuesday, 17 December 2024 Read more...

The Legends of Them, Royal Court review - reaching out for serenity

Friday, 13 December 2024 Read more...

Expendable, Royal Court review - intensely felt family drama

Friday, 29 November 2024 Read more...

A Christmas Carol, Old Vic review - tidings of discomfort and noise

Friday, 22 November 2024 Read more...

Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plotting

Saturday, 16 November 2024 Read more...

L’Addition, BAC review - top billing for physical comedy duo

Friday, 08 November 2024 Read more...

The Buddha of Suburbia, Barbican Theatre review - farcical fun, but what about the issues?

Friday, 01 November 2024 Read more...

Reykjavik, Hampstead Theatre review - drama frozen by waves of detail

Monday, 28 October 2024 Read more...

A Raisin in the Sun, Lyric Hammersmith review - of race and men

Sunday, 13 October 2024 Read more...

Brace Brace, Royal Court review - too slender to satisfy

Thursday, 10 October 2024 Read more...

Angry and Young, Almeida Theatre review - vigorous and illuminating double bill

Monday, 07 October 2024 Read more...

A Tupperware of Ashes, National Theatre review - family and food, love and loss

Friday, 04 October 2024 Read more...

Waiting for Godot, Theatre Royal Haymarket review - humanity in high definition

Tuesday, 24 September 2024 Read more...

The Lightest Element, Hampstead Theatre review - engrossing, but fragmentary

Thursday, 19 September 2024 Read more...

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Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...

Till the Stars Come Down, Theatre Royal Haymarket review - a...

The 2024 play at the National...

Too Much, Netflix - a romcom that's oversexed, and over...

A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr...