fri 29/03/2024

Theatre Reviews

Imposter 22, Royal Court Theatre review - ace on representation, less so on structure

Gary Naylor

The Royal Court’s collaboration with Access All Areas (AAA) may not be theatre’s first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah Gordy at the National Theatre, was one of my highlights of 2019.

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Close-Up: The Twiggy Musical, Menier Chocolate Factory review - a tourist's view of a Sixties icon

Helen Hawkins

The Biba dresses are way too colourful, the shop’s interior about 10 times too bright… and did anybody really say ”happening threads” in 1965?

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Unbelievable, Criterion Theatre review - Derren Brown-directed show misses his otherworldly danger

Gary Naylor

Unbelievable is a strange title for a slightly strange show, the brainchild of Derren Brown, Andrew O’Connor and Andy Nyman, a trio with an impeccable pedigree in creating successful magic-based events. 

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Frank and Percy, The Other Palace review - two-hander fails to escape a very short leash

Demetrios Matheou

Two elderly men meet in the park while walking their dogs, and become friends. Even when friendship turns to love, the hounds tend to dominate the conversation. It’s hardly the most scintillating set-up for a play.

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Untitled F*ck M*ss S**gon Play, Young Vic review - committed and important play let down by heavy-handed writing

Gary Naylor

Seldom can a title have given so much away about the play to follow, not just in terms of the subject matter but also in terms of the sledgehammer approach to driving home its points. Kimber Lee, who won the inaugural Bruntwood Prize for Playwriting 2019, International Award, certainly does not say anything once if she can say it twice or thrice nor leaves any ambiguity about every element of her stance regarding Orientalism.

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Octopolis, Hampstead Theatre review - blue, blue, electric blue

aleks Sierz

How many hearts does an octopus have? Answer: three. This pub quiz clincher is just one of the many fascinating facts that emerge from Octopolis, Marek Horn’s engrossing 100-minute two-hander which explores the relationship between humans and cephalopods, and is currently playing in the Hampstead Theatre Downstairs space, starring Jemma Redgrave.

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Mlima's Tale, Kiln Theatre review - simple, powerful tale about the rape of Africa

Helen Hawkins

The work of the double Pulitzer-winning Black American dramatist Lynn Nottage has thankfully become a fixture in the UK. After its award-winning production of Sweat, the Donmar will stage the UK premiere of her Clyde’s next month, and MJ the Musical, for which she wrote the book, arrives in the West End in March 2024.

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Rebecca, Charing Cross Theatre review - troubled show about a troubled house nonetheless diverts

Gary Naylor

There are times when it’s best to know as little as possible before taking one’s seat for a show – this new production of Rebecca would be a perfect such example.

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Operation Epsilon, Southwark Playhouse review - alternative Oppenheimer

aleks Sierz

Must science always be dominated by politics? This question is most urgent when the stakes are high – climate change or nuclear weapons. And it is grimly true that the fact that audiences are still interested in the race for the atom bomb between the Allies and Nazi Germany in the 1940s says something about our current anxieties about Russia, North Korea and Iran.

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It's Headed Straight Towards Us, Park Theatre review - indigestible mix of fact and fiction

Helen Hawkins

An impressive performance by Samuel West as one of two warring hams stuck on-set in a trailer over a not-so-dormant volcano in Iceland, endlessly waiting to shoot their scene and go home, tended by a young runner whose woke values soon clash with their antediluvian ones...

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Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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