Theatre Reviews
Measure for Measure, RSC, Stratford review - 'problem play' has no problem with relevanceFriday, 03 October 2025
An opening video montage presents us with a rogues' gallery of powerful men who have done bad things. Plenty of the usual suspects appear to stomach-churning effect, but no ex-President Nicolas Sarkozy, sentenced last week to five years in prison by the usually tolerant French. So the problem certainly hasn’t gone away with the Clintons, Weinsteins and they’re ilk. Read more...
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The Importance of Being Earnest, Noël Coward Theatre review - dazzling and delightful queer festThursday, 02 October 2025
Star casting has, since the pandemic, done much to restore the fortunes of commercial theatre. And, when they can pull off a similar deal, the same applies to subsidised venues. If the downside is that many smaller institutions get left behind, the upside is clearly visible all over the West End. Read more... |
Get Down Tonight, Charing Cross Theatre review - glitz and hits from the 70sWednesday, 01 October 2025
In a fair few bars around the world tonight, bands will be playing “That’s The Way (I Like It)”, “Give It Up” and so many more of KC and the Sunshine Band’s bangers. They’ve filled dancefloors for half a century and Harry Wayne Casey (KC to you and me) has a claim to having written the first ever disco hit with George McCrae’s “Rock Your Baby” – Benny and Bjorn’s inspiration for “Dancing Queen” no less! Read more... |
Punch, Apollo Theatre review - powerful play about the strength of redemptionMonday, 29 September 2025
For the first part of Punch it feels as if you’re riding a roller coaster, watching the world speed and loop past as you see it from the perspective of a young man high on hormones and cocaine. He’s 19 years old and in perpetual motion as he zips in and out of the pubs of Nottingham in search of the next girl, the next dance beat, the next drugs hit. Read more... |
The Billionaire Inside Your Head, Hampstead Theatre review - a map of a man with OCDSaturday, 27 September 2025
What would it be like to be driven by OCD urges into idolising Elon Musk and aspiring to be one of his tribe of tech bros? In his debut play, Will Lord, who has been diagnosed with OCD himself, has attempted to spell this out, with mixed results. Read more... |
Lacrima, Barbican review - riveting, lucid examination of the forces of globalisation through a dressFriday, 26 September 2025
So often the focus – in the coverage of a royal wedding – is the story of the woman wearing the bridal dress. While every fashion choice she makes will be scrutinised for the rest of her life, it is, nonetheless, she herself who will be mercilessly interrogated as the representative both of a nation’s ideals and its discontents. Read more... |
Entertaining Mr Sloane, Young Vic review - funny, flawed but welcome nonethelessFriday, 26 September 2025
Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw (1969) – was provocative, taboo-tickling and often wildly hilarious. Read more... |
50 First Dates: The Musical, The Other Palace review - romcom turned musicalFriday, 26 September 2025
About halfway through this world premiere, I realised what was missing. Where is the sinister lift, where are the long corridors and, most of all, WHERE IS MR. MILCHICK? Read more... |
Bacchae, National Theatre review - cheeky, uneven version of Euripides' tragedyThursday, 25 September 2025
The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be fair his piece is also described as a new play. It is not so much "after" Euripides as a celebration of theatre with frequent sideways reference - mostly knowing and comic - to The Bacchae. Read more... |
The Harder They Come, Stratford East review - still packs a punch, half a century onWednesday, 24 September 2025
The impact of great art is physical as much as it is psychological. I recall the first time I saw Perry Henzell’s 1972 film, The Harder They Come. I’d been in the pub and, as we did then with just four channels, slumped in front of the television to see what was on late on a Friday night. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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