Theatre Interviews
Q&A Special: Magician Paul KieveTuesday, 19 July 2011
Hollywood has turned the special effect into a birthright for a generation of movie-goers. “How did they do that?” is no longer a question you hear in the multiplex. In the theatre it’s another thing entirely. Whatever the reception for the show in its entirety, the musical version of The Lord of the Rings did contain one remarkable illusion in which Bilbo Baggins vanished before the audience’s eyes. Even... Read more... |
theartsdesk Q&A: Director Emma RiceSaturday, 16 July 2011
Based in a collection of barns on a cliff top near Mevagissey on the south Cornish coast, Kneehigh theatre company has always looked defiantly away from London and out towards the sea and the wider world. This streak of independence runs right through the heart of the company, which produces extraordinarily inventive, highly visual and sometimes surreal work that has been seen all over the world, from Australia to Colombia to Broadway and, yes, the West End. Read more... |
theartsdesk Q&A: Writer/Director David LelandSaturday, 02 July 2011
David Leland (b 1947) has worked extensively both sides of the Atlantic but he is best known, both as a writer and a director, for his shrewd observations of ordinary people struggling against the constraints and hypocrisy of the accepted social mores of English life in films such as Mona Lisa (1986), Personal Services (1987) and Wish You Were Here (1987). However, it was Made in Britain (1982), a television play written by Leland for Channel 4 and... Read more... |
Q&A Special: Actor Nigel LindsayMonday, 13 June 2011
His only previous visit to musical theatre was as Nathan Detroit in the Donmar’s West End production of Guys and Dolls. And now Lindsay sits in the sumptuous dressing room – it feels more like a small flat – at Drury Lane once occupied, he is proud to note, by the likes of Rex Harrison. The first role in which he caught the eye was as Mugsy, the eternally optimistic victim in Patrick Marber’s poker play Dealer’s Choice. Read more... |
theartsdesk Q&A: Actor Christopher EcclestonSaturday, 30 April 2011
Christopher Eccleston’s performances have a raw-boned, visceral quality which makes him a sometimes unsettling - but always compelling - actor to watch. Read more... |
theartsdesk Q&A: Artist/Dramatist John ByrneSaturday, 19 March 2011
"I’m very hard to categorise,” says John Byrne (b 1940), tugging at his magnificent moustache. A restless, defiant, shape-shifting polymath who was an exponent of multimedia long before computers ruled the world, Byrne's singular career is perhaps doomed to gentle underappreciation simply because he can do so much so well. “If you’re hard to categorise they don’t like that." He peers into his coffee as though looking for something. "Whoever 'they' are.” Read more... |
Q&A: Playwright Nick Dear on Adapting FrankensteinThursday, 10 February 2011
It is one of the most hotly anticipated new productions at the National Theatre in years, for which all but day seats have long since been sold out. Danny Boyle has been lured back to the stage to direct a version of Mary Shelley’s Frankenstein. Read more... |
theartsdesk Q&A: Director Robert LepageSaturday, 29 January 2011
Robert Lepage is not just one of the most fêted and sought-after theatre directors in the world; he is also one of the most prolific. His international breakthrough came with The Dragon Trilogy in 1985, and since then the French-Canadian’s work has been seen across the globe. Read more... |
theartsdesk Q&A: Actor Toby JonesSaturday, 15 January 2011
Toby Jones’s cameo in Notting Hill – he was cast as an over-eager fan of Julia Roberts - was deposited on the cutting-room floor. Most actors would have chalked it up as one of life’s bum raps. Jones, who while on set for his short scene was also failing to rent a flat in Notting Hill, fashioned a drama out of a double crisis. To perform Missing Reel he obtained permission to show the suppressed material. Read more... |
theartsdesk Q&A: Actor Toby JonesWednesday, 12 January 2011
Toby Jones’s cameo in Notting Hill – he was cast as an over-eager fan of Julia Roberts - was deposited on the cutting-room floor. Most actors would have chalked it up as one of life’s bum raps. Jones, who while on set for his short scene was also failing to rent a flat in Notting Hill, fashioned a drama out of a double crisis. To perform Missing Reel he obtained permission to show the suppressed material. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Blood Knot, Orange Tree Theatre review - defining apartheid-...
London's impromptu mini-season devoted to the work of Athol Fugard picks up real steam with Blood Knot, Matthew Xia's transfixing take on...
Vasari Singers, Backhouse, St Bride’s Fleet Street review -...
London performances of Alfred Schnittke’s Concerto for Choir are like Meaningful Votes: you wait a long time for one, then they come in...
The Best Films Out Now
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles...
CD: Edwyn Collins - Badbea
Edwyn Collins is in a good mood. Perhaps it’s his 2014 move back to his native...
La forza del destino, Royal Opera review - generous voices,...
When "Maestro" Riccardo Muti left the Royal Opera's...
Pose, BBC Two review - transgender goes mainstream
NYC, 1987. AIDS is ravaging the city, Reagan’s in power,...
Emilia, Vaudeville Theatre review - shouting for change
Emilia Bassano Lanier is not a household name. But maybe she should be. Born in 1569, she was one of the first women in England to publish a book...
Minding the Gap review – profound musings on life
Where would you go for a devastating study on the human condition? The home ...
DVD/Blu-Ray: La Vérité
For admirers of Henri-Georges Clouzot or Brigitte Bardot, this Criterion restoration of their rarely seen 1960 collaboration is a must have. ...