sat 23/02/2019

playwrights

Equus, Theatre Royal Stratford East review - thrilling physicality

There is no doubt that Peter Shaffer's Equus is a modern classic. But does that justify reviving this 1973 hit play in our current social circumstances? And what can it say to us today? The good news is that up-and-coming director Ned Bennett is at...

Read more...

Eden, Hampstead Theatre Downstairs review - thoughtful commentary on people and principles

"It's gonna be the best golf course in the world," a man in an Aertex shirt and a bright red baseball cap is assuring us. "The best. I guarantee it." You can tell he's the kind of person who thinks talking quickly and loudly is the same thing as...

Read more...

Keith? A Comedy, Arcola Theatre review - Molière mined for Brexit-era laughs

Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy, a wild spin on the quasi-ubiquitous (these days, anyway) Tartuffe by the critic and writer Patrick Marmion...

Read more...

The Price, Wyndham's Theatre review - David Suchet stands supreme

There’s a rather sublime equilibrium to Arthur Miller’s 1968 play between the overwhelmingly heavy weight of history and a sheer life force that somehow functions, against all odds, as its counterbalance. But in purely dramatic terms the scales of...

Read more...

Blue, Chapter Arts Centre review - heartbreak in the family home

What's worse than grieving? That all-consuming loss. For those that have experienced it, nothing really comes close. It starts to bug Thomas (Jordan Bernarde, main picture second right) during his visit to the Williams household. Recently bereaved...

Read more...

Pinter Seven, Harold Pinter Theatre review - elaborations of anxiety

It was back to the very beginning for this final instalment of “Pinter at the Pinter”, with its pairing of A Slight Ache and The Dumb Waiter. Both were written at the end of the 1950s, which explained a certain rock’n’roll vibe in the auditorium,...

Read more...

Superhoe, Royal Court review - smart, sassy, and full of feeling

Titles matter: they send out messages. So, in the current #MeToo climate, isn't it a bit provocative that there's a rash of plays with titles which might be seen to offend: The Hoes, Superhoe and, coming soon, Inside Bitch? Not to mention the...

Read more...

Cost of Living, Hampstead Theatre review - tough but tender

The Off Broadway production of Cost of Living two years ago brought Martyna Majok the 2018 Pulitzer Prize for Drama, the height of acclaim of which most new writers – Majok, with four plays behind her, has yet to turn 35 – can only dream. High...

Read more...

When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the National

When it was announced that Cate Blanchett was making her National Theatre debut with Martin's Crimp's new play, When We have Sufficiently Tortured Each Other, its website exploded with people wishing to buy tickets. To those many thousands...

Read more...

Imagine... James Graham, BBC One review - deft analysis of a working life

How does an unassuming 36-year-old with a terrifyingly sensible haircut and a mildly flamboyant taste in jumpers become the political playwright par excellence of his generation? That’s the question that Alan Yentob sought to dissect in this first...

Read more...

Approaching Empty, Kiln Theatre review - more minicab than Uber

Write what you know, says the adage, and that's exactly what playwright Ishy Din has done with his new play, Approaching Empty, now at the Kiln in Kilburn. The middle-aged Middlesbrough-born writer, who has had a handful of casual jobs (retail,...

Read more...

Macbeth, Shakespeare's Globe review - sexually-charged production draws power from the shadows

Macbeth has rarely seemed quite as metrosexual as in this gorgeous shadow-painted production that marks Globe artistic director Michelle Terry’s first production in the Sam Wanamaker theatre. Even in a play that walks the tightrope between its...

Read more...
Subscribe to playwrights